메뉴 건너뛰기
.. 내서재 .. 알림
소속 기관/학교 인증
인증하면 논문, 학술자료 등을  무료로 열람할 수 있어요.
한국대학교, 누리자동차, 시립도서관 등 나의 기관을 확인해보세요
(국내 대학 90% 이상 구독 중)
로그인 회원가입 고객센터 ENG
주제분류

추천
검색

논문 기본 정보

자료유형
학술저널
저자정보
저널정보
이화여자대학교 아시아여성학센터 Asian Journal of Women's Studies Asian Journal of Women's Studies Vol.26 No.1
발행연도
2020.1
수록면
3 - 21 (19page)

이용수

표지
📌
연구주제
📖
연구배경
🔬
연구방법
🏆
연구결과
AI에게 요청하기
추천
검색

초록· 키워드

오류제보하기
Bollywood’s departure from its earlier constructions of women as sex objects, victims of male violence, dependent, obedient and peripheral, is partly due to global/transnational cultural and economic flows that have influence in Indian society. What needs to be charted out is how patriarchal anxieties continue to emerge in recent Bollywood movies where women otherwise appear to assume assertive screen presence and play dominant roles. This study seeks to disentangle notions of “national” and “local,” in particular, because the former does not explain India’s family or local community settings that exercise substantial control over women. Through an analysis of two films, Dangal (2016) and Queen (2014), this study shows how present-day Bollywood appropriates opposing ideals of Hinduism and liberal ideology; therefore, the stories remain rooted in contemporary social discourse. It will be seen that the somewhat masculine woman in Dangal, who is divested of erotic and reproductive attributes, bears the double-burden of subordination by a family patriarch and becoming a national symbol. Through its scrutiny of Queen, the study also demonstrates how a new Indian femininity, “assertive” and “confident,” is mediated by the dominant male cultural gaze. The films offer useful models for comparison of varying forms of femininities.

목차

등록된 정보가 없습니다.

참고문헌 (0)

참고문헌 신청

함께 읽어보면 좋을 논문

논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!

이 논문의 저자 정보

최근 본 자료

전체보기

댓글(0)

0