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A Study on the Early Paintings of Ai Weiwei
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아이웨이웨이(艾未未)의 초기 회화 연구

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Type
Academic journal
Author
Chung Changmi (명지대학교)
Journal
Association Of Art History Misulsa Yeongu : Journal of Art History No.38 KCI Accredited Journals
Published
2020.6
Pages
191 - 218 (28page)
DOI
10.52799/JAH.2020.06.38.191

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A Study on the Early Paintings of Ai Weiwei
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Ai Weiwei is a Chinese contemporary artist who has been actively addressing China’s social issues through his works since the 2000s. At documenta 12, held between June 16 and September 23, 2007 in Kassel, Germany, he presented “Fairytale,” in which he invited 1,001 Chinese people to participate, bringing his work to international renown. He has been more known, however, as an artist–activist who goes head to head with the Chinese government by speaking out about China’s social problems unveiled in the aftermath of the Great Sichuan Earthquake on May 12, 2008. In a wide range of his works encompassing art installations, performance art, and video art, which have been brought to the attention of the international art scene, no paintings have been included. However, when Ai Weiwei participated in the first and second editions of the Stars Art Exhibition (Xing Xing Mei Zhan, 星星美展), which marked the beginning of Chinese avant-garde art in the late 1970s, all his exhibited works were, in fact, paintings. Furthermore, when he moved to New York to study art in the early 1980s, he worked mainly on paintings influenced by Pop Art and neo-Expressionism. Therefore, this article aims to shed light on his artistic traits and styles shown through his early paintings and how these contributed to shaping and developing his artistic practice.
Ai Weiwei is an acclaimed living artist who continues to take on new challenges even to this day, even exploring different artistic styles or views. Nevertheless, this article on this cultural figure who has become a pillar of the international art scene will play a key role not only in building a collection of material resources for contemporary art, which may hold up another future pillar or an alternative art scene, but also in opening a new platform for art discourses, by focusing on Ai Weiwei’s early, seemingly forgotten, paintings.
#중국현대미술(中國現代美術, Chinese Contemporary Art) #아이웨이웨이(艾未未, AiWeiwei) #싱싱미전(星星美展, The Stars) #상흔미술(傷痕美術, Scar Painting) #중국현대회화(中國現代繪畫, Chinese Contemporary Painting)

Contents

Ⅰ. 머리말
Ⅱ. 후문혁기(1977~1984) 중국의 현대회화
Ⅲ. 베이징 시기(1976~1981)의 풍경화
Ⅳ. 뉴욕 시기(1981~1993)의 인물화
Ⅴ. 맺음말
참고문헌
Abstract

References (28)

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Raynor Vivien / Art: The Avant-Gare from China in Show / The New York Times google schola 張映光 / 艾未未:最具 „星星‰ 精神的人 / 新京報 google schola 김영문 / 2006 / 반정신오염 및 정신문명건설운동과 그 실패원인에 대한 연구 / 대한정치학회보 13(3):121~151 dbpia 유정아 / 2016 / 상흔미술, 문화대혁명의 또 다른 증언 / 한국근현대미술사학(구 한국근대미술사학) (31):207~235 dbpia 이주현 / 2010 / 後文革 시대(1977~1984)의 중국현대미술: 星星畵會를 중심으로 / 미술사연구 (24):163~192 google schola

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