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논문 기본 정보

자료유형
학술저널
저자정보
조의연 (동국대학교_서울) 조숙희 (신한대학교)
저널정보
한국번역학회 번역학연구 번역학연구 제20권 제5호
발행연도
2019.12
수록면
197 - 216 (20page)

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초록· 키워드

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Since The Vegetarian won the International Man Booker Prize, a great deal of attention has been paid to the English translated text from literary critics and Translation Studies researchers. Although it is widely known that the translator Deborah Smith takes translation as a creative rewriting, to what extent her translation is creative and in what sense it is have been barely discussed in detail. In this paper we discuss her approach to translation based on her paper (2018) in which she mentions the possibility of retranslating the original 『채식주의자』: she considers retranslation as an act of ‘failure in a different way.’ We argue that her view of retranslation as failing in a different way is based on an interpretive approach to literature.
In the second part of this paper we have reanalyzed her translation of Younghye’s, the main character of the novel, italicized monologues from the perspectives of two retranslation paradigms, focusing on one of her dreams and her recollection of how her dog was dead, both of which deal with how violent humans are. Based on Massardier-Kenny (2015)’s presentation of two paradigms of retranslation - Paradigm of Lack and Paradigm of Multiplicity - we have critically discussed some of the critical reviews which see Smith’s first translation as a translation of deficiency to be improved in a later version. It was also argued that Smith’s first translation is a product of her singular and inventive reading of Han Kang’s original 『채식주의자』.

목차

1. 들어가며
2. 번역에 대한 데보라 스미스의 접근
3. 재번역 관점에서 본 The Vegetarian
4. 나가며
참고문헌
Abstract

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UCI(KEPA) : I410-ECN-0101-2020-800-000253583