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논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2019.9
- 수록면
- 59 - 93 (35page)
- DOI
- 10.24152/NCLE.2019.9.23.2.59
이용수
초록· 키워드
오류제보하기
In spite of being Dickens’s first real project to prove his novelistic capacity, Barnaby Rudge has been generally considered as ‘the most unsatisfactory’ of Dickens’s works. This study challenges this widely-accepted view in the criticism of Barnaby Rudge and tries to reestablish its status in Dickens’s world.
A close reading shows that the seemingly clumsy ‘broken-backed’ plot of Barnaby Rudge, which most critics disapprove as a crucial defect of the novel, is only an illusive aspect of a very carefully woven structure. Dickens’s narrative strategy uses the intended looseness of the first half of the story to maximize the ironical effect through a contrast against the tight intensity of the second half. Dickens’s creative representations of father-son relationships also contribute to building a solid fictional world of Barnaby Rudge as a historical novel. The filial conflicts and rebellions of Joe Willet, Edward Chester, and Hugh against their oppressive or corrupt fathers demonstrate the novel’s theme as a microcosm of the whole social crisis and rebellion caused by Gordon riots.
The vivid descriptions of the violent and destructive nature of the Gordon riots reveals Dickens’s negative middle-class view on social revolution and violence, but it should be viewed as Dickens’s personal ideological stance, not as his novelistic limitation. A real literary defect of Barnaby Rudge as a historical novel can be found in the too much overflow of Dickens’s uncontrolled comic impulses, which fails to harmonize with his historical imagination.
All things considered, Barnaby Rudge does not deserve the unfair reputation as a serious failure. As a pivotal work of Dickens’s earl career, it is much better than Dickens’s previous novels such as Oliver Twist or The Old Curious Shop: it should be installed as one of Dickens’s representative works, successfully illustrating his creative capability as a novelist.
A close reading shows that the seemingly clumsy ‘broken-backed’ plot of Barnaby Rudge, which most critics disapprove as a crucial defect of the novel, is only an illusive aspect of a very carefully woven structure. Dickens’s narrative strategy uses the intended looseness of the first half of the story to maximize the ironical effect through a contrast against the tight intensity of the second half. Dickens’s creative representations of father-son relationships also contribute to building a solid fictional world of Barnaby Rudge as a historical novel. The filial conflicts and rebellions of Joe Willet, Edward Chester, and Hugh against their oppressive or corrupt fathers demonstrate the novel’s theme as a microcosm of the whole social crisis and rebellion caused by Gordon riots.
The vivid descriptions of the violent and destructive nature of the Gordon riots reveals Dickens’s negative middle-class view on social revolution and violence, but it should be viewed as Dickens’s personal ideological stance, not as his novelistic limitation. A real literary defect of Barnaby Rudge as a historical novel can be found in the too much overflow of Dickens’s uncontrolled comic impulses, which fails to harmonize with his historical imagination.
All things considered, Barnaby Rudge does not deserve the unfair reputation as a serious failure. As a pivotal work of Dickens’s earl career, it is much better than Dickens’s previous novels such as Oliver Twist or The Old Curious Shop: it should be installed as one of Dickens’s representative works, successfully illustrating his creative capability as a novelist.
목차
1. 머리말
2. 디킨즈의 첫 번째 본격 소설기획으로서 『바너비 럿쥐』
3. 역사소설로서 『바너비 럿쥐』의 성과
4. 『바너비 럿쥐』의 소설적 한계와 디킨즈의 희극적 상상력
5. 맺음말
인용문헌
Abstract
참고문헌 (26)
참고문헌 신청
Butt, John / 1982 / Dickens at Work / Metheun
Carey, John / 1973 / The Violent Effigy: A Study of Dickens’ Imagination / Faber and Faber
Chesterton, G. K. / 1942 / Charles Dickens: The Last of the Great Men / The Press of the Readers Club
Collins, Phillip / 1971 / Dickens the Critical Heritage / Barnes &Nobles
Dickens, Charles / 1982 / Barnaby Rudge / Penguin
Carey, John / 1973 / The Violent Effigy: A Study of Dickens’ Imagination / Faber and Faber
Chesterton, G. K. / 1942 / Charles Dickens: The Last of the Great Men / The Press of the Readers Club
Collins, Phillip / 1971 / Dickens the Critical Heritage / Barnes &Nobles
Dickens, Charles / 1982 / Barnaby Rudge / Penguin
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UCI(KEPA) : I410-ECN-0101-2019-840-001246727