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자료유형
학술저널
저자정보
저널정보
한국러시아문학회 러시아어문학연구논집 러시아어문학연구논집 제55호
발행연도
2016.1
수록면
277 - 304 (28page)

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“When thinking about Russia, Siberia comes to mind before anything.” Thus said Yom Sang-Seop’s protagonist in the novel Three Generations(1931). This article starts with the question why it is so. Ever since the mid-19th century, when the destitute peasants had begun to emigrate and settle down for a better life, Siberia remained the closest alternative West for Korean people. In spite of its geographical proximity with the neighboring China, Siberia was a land of freedom, much different from Manchuria, which was then governed by the imperial Eastern power. Deeply impressed by the literature and the Socialist Revolution of Russia, modern Koreans idealized and longed to see the land of dream with their own eyes, which resulted in the boom of ‘Russian Tour’ in various possible forms: travelling, wandering, smuggling, and writing about it. Siberia was a pathway to their ‘Russian dream’; it was both a metaphor and metonymy for the whole Russia. This article outlines Siberia as a spatial concept as it was experienced and put into narratives during the time of Korean modernity, i.e., from the annexation till the 1930s. Various conceptual images of Siberia – a locus of exile, romantic wandering, Utopian reality, and ideological dichotomy – which came to put down roots in the collective mind of Korean people during the colonial period are discussed on the basis of numerous first-hand documents such as memoirs, essays, journal columns, and fictions.

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