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Taiwanese Film “Paradise in service” : The Space of “Special Tea House” and the Politics of Women Reproduction
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대만영화 〈군중낙원(Paradise in Service)〉 : '특약차실(特約茶室)' 공간과 여성 재현의 정치

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Type
Academic journal
Author
Shin, Dong-Soon (숙명여자대학교)
Journal
The Society for Chinese Cultural Research The Journal of Chinese Cultural Research Vol.39 KCI Accredited Journals
Published
2018.2
Pages
221 - 240 (20page)

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Taiwanese Film “Paradise in service” : The Space of “Special Tea House” and the Politics of Women Reproduction
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Abstract· Keywords

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The film rebuilds the historical consciousness through the expression of the military paradise and women, and re-interweaves the history of “Special Tea House”. The film reproduces the space and women of “Special Tea House”. War and violence replaced by Paradise in Service. The film shows that women here are liberated from the ideology of state and masculinity. These emancipation is not real liberation, but fake liberation. People portray the history of women in ‘Special Tea House’, but differ from each other. Some think they came voluntarily, and some think that the system and ideology have forced them, suppressed them and cheated them. The film rationalizes and legitimates these spaces and women through the reproduction of space and women. Although women’s violence and military violence are shown, A central figure for the dissolution of this violence is the male and the State system.
Ending subtitles are as follows. “In 1951, the army set up a ‘special tea house’ in the army to address the physiological needs of hundreds of thousands of soldiers. Also known as “Paradise in Service” or 831. With the improvement of bilateral relations in 1990, Taiwan reduced its military power and the legislature considered it a violation of the human rights of women. Ministry of Defense decided to withdraw ‘Special Tea House’.” The government officially identified these spaces as violating women’s human rights. But, The director defines the women there as ‘sex workers’. These views have hidden the history of women in ‘Special tea House’ and even politically removed the ‘comfort women’ history of Japanese colonialism.
#“Special Tea House” #“Paradise in Service” #The Politics #Reproduce woman #Reproduce space

Contents

1. 들어가는 말 : 〈군중낙원〉의 영화적 의미
2. 특약차실(特約茶室)의 역사맥락과 〈군중낙원〉 공간 재현의식
3. 특약차실의 위안부 여성들과 〈군중낙원〉의 여성 재현의식
4. 나오는 말 : 〈군중낙원〉의 영화적 재현과 역사 모순
〈參考文獻〉
〈Abstract〉

References (17)

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다자키 히데아키 / 2006 / 노동하는 섹슈얼리티 / 도서출판 삼인 google schola 진성희 / 2016 / 탈역사 서술과 공간의 표상 - 영화 <군중낙원>을 중심으로 / 비교문화연구 43:405~428 Crossref 陳長慶 / 2006 / 金門特約茶室 / 金門縣文化局 google schola 劉玉娟 / 2016 / 悲情曆史的當代想象 — 電影<軍中樂園>創作分析 / 電影評價 (14) google schola 薑龍飛 / 2011 / 溶解戰爭焦慮的安魂貼 — 揭秘台軍“特約茶室” / 檔案春秋 (4) google schola

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