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Flower Granny's Representation of 'Comfort' Women and the Politics of Emotion
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『꽃할머니』의 '위안부' 재현과 감정의 정치

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Type
Academic journal
Author
Moon, Kyounghee (창원대학교)
Journal
Keimyung University Institute for Women's Studies Gender and Culture Vol.9 No.2 KCI Accredited Journals
Published
2016.12
Pages
173 - 209 (37page)
DOI
10.20992/gc.2016.12.9.2.173

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Flower Granny's Representation of 'Comfort' Women and the Politics of Emotion
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Abstract· Keywords

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This study examines how differently the issues of Korean ‘comfort’ women and the survivors’ testimonies are understood in Korea and Japan, by analysing the author Kwon Yoon-Duck’s experiences in the process of representing and publishing the picture book, Flower Granny. This study pays special attention to emotion as Flower Granny is a public space where the author’s emotions are circulated and transmitted to the readers. Emotion enters politics when it becomes collective. In this regard, by examining Kwon Yoon-duck’s work, this study reviews how an international mediator of memories represents her emotions in the picture book and what roles they play. In conclusion, this study reveals that the author’s strategy of not highlighting Japan as an aggressor country in Flower Granny is accepted by general readers. However, it is argued that the future of the book’s publication in Japan remains uncertain as anti Korean ‘comfort’ women sentiment based on sexism and nationalism is prevalent in Japanese society.

Contents

〈국문초록〉
1. 평화그림책 프로젝트와 『꽃할머니』
2. 감정의 ‘사회성’과 페미니스트 반성폭력 운동전략으로서의 감정
3. 『꽃할머니』를 통한 재현과 감정의 문제
4. 재현가의 감정전략 : 내면행위에서 표면행위로
5. 우리가 ‘다 알고 있는 것’과 일본이 ‘알고 있는 것’
6. 초국적 공적 영역에서 ‘위안부’ 재현의 한계와 감정의 역할
참고문헌
〈Abstract〉

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UCI(KEPA) : I410-ECN-0101-2017-337-002003377