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Chae, Man sik`s Novel and Media Technology : A Study on Phonograph, Talkie, and Peace Under Heaven(Tae-Pyong-Chon-Ha)
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채만식 소설과 미디어 테크놀로지 : 유성기, 토키영화,『태평천하』를 중심으로

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Type
Academic journal
Author
Suh, Hee Won (동국대학교)
Journal
Dong-ak Society of Language and Literature Journal of Dong-ak Language and Literature Vol.69 KCI Accredited Journals
Published
2016.11
Pages
79 - 110 (32page)

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Chae, Man sik`s Novel and Media Technology : A Study on Phonograph, Talkie, and Peace Under Heaven(Tae-Pyong-Chon-Ha)
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This paper raises a question on a widely-spread view of Chae, Man sik"s Tae-Pyong-Chon-Ha. In relation to ‘Pansori’, Lee Joo-hyeong interprets Chae, Man sik as a storyteller who freely used irony and satire techniques in his influential research on Tae-Pyong-Chon-Ha. He traces back the origin of Chae, Man sik’s novel technique to Pansori. From the viewpoint of an intrinsic development theory, which seeks the connection between classical literature and modern one, this interpretation has been accepted as an effective doctrine to explain the continuity of Korean literature. However, considering the case of Chae, Man sik, who tried to develop novel techniques in the sense of media technology, the characteristic of the speaker is closer to the ‘talking voice’(technique of sound) of a silent film, narrator of a news movie or storyteller of a phonograph record, rather than Pansori performers. The voices of the characters of Tae-Pyong-Chon -Ha are symbols of his contemporary society through the use of oral techniques such as profanity, irony, paradoxical accusation, criticism and contempt for each other, unilateral hearing and intentional misinterpretation.

Contents

국문초록
1. 역사적 범주의 외부: 테크놀로지, 감각
2.『태평천하』와 영화의 테크놀로지
3.『태평천하』의 목소리와 ‘레코드’ 속의 만담가
4.『태평천하』의 불협화음 혹은 소리의 정치학
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UCI(KEPA) : I410-ECN-0101-2017-710-002059085