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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
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Son Chang-seop(손창섭) is evaluated one of the writers who represent the literature of 1950`s at the Korean modern novel history. Nevertheless, Korean war which penetrates the whole of 1950`s historically in his works is not revealed as direct narrative, but generally presented as indirect narrative through a medium of the characters and time space. Therefore, in order to recognize him as the writer who represent the fifties, we should premise his work as the thorough desperate expression which war brings. That`s why the discussion about his world of literature is centered on most particular character`s group. But in spite of the accumulation of much research outcome, a study about the formal and aesthetic side of the text itself is somewhat insufficient. Moreover, beyond the level of formal consideration, the text-form inside historical coherence and the work examining the ideological effect which it produces is not almost accomlished. This study which text itself and the ideological effect which it produces with an object of Son Chang-seop`s <Hyeolseo(血書)>. First of all, this study have centered the formal aesthetics of text on irony. The preceding researches about the formal consideration focusing on irony have published, but of the irony more precisely, this study tried to deeper the depth of the discussion. And this study tried to consider even the ideological significance which it contains beyond the level of formal consideration because the irony of Son Chang-seop novel produces the passive nihilism. These efforts are made in order to illuminate an aspect of the nihilism discourse which was the type of a representative of the nineteen-fifties postwar novel an spoken ill of. A nihilism discourse with a humanism discourse is the type of a representative discourse which dominate 1950`s novel literature. But since a nihilism discourse don`t have the conquest will of reality and the prospect of future, a nihilism discourse was not evaluated properly and was abused. At last, the final intention of this study doesn`t lie in clarifying the aesthetics of Son Chang-seop novel, but by looking into the aesthetic and ideological effect more deeply which a nihilism discourse gives out, lies in making clear the affirmative meaning with it. Consequently, We think these works help to reconsider the existing and negative valuation about postwar novel and secure the concrete basis which we can see the whole of postwar literature from a more affirmative vision with.
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UCI(KEPA) : I410-ECN-0101-2017-810-000974266