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In this paper, we around the notation in the Omission Type (Ryakutai) song of songs Hitomaro songbook that a Shiratama (white Jade 白玉) is in a non-Omission Type song "white Jade (水玉) ", I tried to examine the nature and lyricism of the difference of each of the "white Jade(白玉·水玉)". And, song of including the general of Manyo song Shiratama (白玉) whereas a song that represents the beauteous lovesickness with a "pearl", to belong to the Tanabata song as only one non-Ryakutai song "white Jade(水玉)", and poetry the had been an attempt is made to represent an image of the Jade(水玉) closer to the "Crystal" is known to be referred to.
Nevertheless, the Shiratama white Jade (水玉) in a non-Ryakutai (non-Omission Type) song of this Hitomaro, is found to be the goddess of Orihime (Vega) rated it was the same necklace that was a decoration, and equivalent to the goddess and the necklace in their mythology it is could analogy that has been responsible for the ornaments of personality that represents the Spiritual authority.
On the other hand, If you look with a Chinese classics of the predecessor, not only the meaning of the "Jade" as a mere beauty stones in the necklace, it is can be confirmed that the meaning of specific Auspicious had been put in it. To Hitomaro song words extend the "Shiratama(白·水玉)" and similar magical ideas and About that longevity in poetry until the elements of the "Elixir" is. It is considered that had been kept in Thought of Poetry of this "white Jade". If you say it is applied to the Hitomaro song in the simplified, in the Ryakutai song Shiratama(白玉) is the pearl, non Ryakutai in the song Shiratama (水玉) is a Jade that is representative in the crystal, of this Jade it than is the world that component has each been divided into Yin (陰) and You(陽) and harmonious is preached to be created.
From the same point of view, when the old and of Li Bai to be sung while maintaining the Taoist thought in The chameleons to fifty-nine & He’s seventh poetry by LI Po’s poem try to observe the poetic diction of "white Jade", such is pure as "Shiratama and Children face" Shiratama(白玉) a point which is It had been read with a allegory it is thought that can be pointed out that has been sung with a poetry similar to Hitomaro.
Nevertheless, the Shiratama white Jade (水玉) in a non-Ryakutai (non-Omission Type) song of this Hitomaro, is found to be the goddess of Orihime (Vega) rated it was the same necklace that was a decoration, and equivalent to the goddess and the necklace in their mythology it is could analogy that has been responsible for the ornaments of personality that represents the Spiritual authority.
On the other hand, If you look with a Chinese classics of the predecessor, not only the meaning of the "Jade" as a mere beauty stones in the necklace, it is can be confirmed that the meaning of specific Auspicious had been put in it. To Hitomaro song words extend the "Shiratama(白·水玉)" and similar magical ideas and About that longevity in poetry until the elements of the "Elixir" is. It is considered that had been kept in Thought of Poetry of this "white Jade". If you say it is applied to the Hitomaro song in the simplified, in the Ryakutai song Shiratama(白玉) is the pearl, non Ryakutai in the song Shiratama (水玉) is a Jade that is representative in the crystal, of this Jade it than is the world that component has each been divided into Yin (陰) and You(陽) and harmonious is preached to be created.
From the same point of view, when the old and of Li Bai to be sung while maintaining the Taoist thought in The chameleons to fifty-nine & He’s seventh poetry by LI Po’s poem try to observe the poetic diction of "white Jade", such is pure as "Shiratama and Children face" Shiratama(白玉) a point which is It had been read with a allegory it is thought that can be pointed out that has been sung with a poetry similar to Hitomaro.
목차
Abstract
1. はじめに
2. 人麻呂と多?な「玉」の描?
3. 非略?歌に載る「シラタマ(水玉)」の構想
4. 女神の首飾り「シラタマ」
5. 白玉に?められた仙人の面影
6. おわりに
參考文獻
REFERENCES
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