지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
The film industry had rapidly adopted new technology-‘Digital’ in 2000s and it brought significant changes in film making and cinema aesthetics. This encounter between film and digital represents radical changes in a decade to cinema aesthetics including expression method and conventional film making method which lasted over 100 years. The film in digital era is able to utilize various reproduction method rather than in analogue era. New technology such as 3D film makes ‘Hyper reality’ which creates optical illusion between reality and simulation. It enables film audiences to experience variety of scenes and fantastic visual image that is more real than reality. The film in digital era is able to utilize various reproduction method rather than in analogue era. New technology such as 3D film makes ‘Hyper reality’ which creates optical illusion between reality and simulation. It enables film audiences to experience variety of scenes and fantastic visual image that is more real than reality. Such space is completed by structure of mise en abyme which makes meaningless to distinguish copies and originals. Hyper reality-more real than reality- enables film audiences to be immersed in movies enthusiastically despite the convergence of two different media.
목차
1. 서론
2. 디지털화된 영화개념에 관한 논의
3. 디지털영화 ; 영화와 애니메이션의 사이공간
4. 영화 ‘아바타’로 분석해본 사이공간 미학
5. 결론
참고문헌
Abstract
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UCI(KEPA) : I410-ECN-0101-2014-600-000362380