저자의 연구 키워드

저자의 연구 키워드

#〈Chosun Hayeop〉

#〈Jeungeun〉

#<Avatar>

#1920년대 소비에트

#1920s Soviet

#국제화 internationalization

#다양성 부족 a lack of diversity

#롯데시네마

#무성영화

#배급

#베르토프

#상영에 대한 유통과 형태 its mode and circuits of production

#새로운 대기업의 등장

#에이젠슈테인

#예술영화 담론에 대한 제도적 기준 the institutional basis of art cinema discourses

#예술영화관련법안 art film legislation

#제작

#중국 제 5세대 영화 the fifth generation of Chinese cinema

#클로벌 프로젝트

#키노아이

#틈새영역 (시장) a niche

#한국영화 산업

#한국영화정체성 Korean film identification

#actuality

#advocacy of Getting Rich First

#and exhibition

#anti-history

#between space

#boundary of documentary genre

#boundary with fiction

#Chinese movie marker

#Chinese political regime

#Chosun film corporation

#Chunhyangjeon

#CJ

#Colorful Holiday

#conversarion berween the present and the past

#counter-memory

#creolization

#cultural politics

#depopularized global flow

#Digital cinema

#distribution

#Eisenstein

#FTA(free trade agreement)

#history of memory

#history of oblivion

#hybrid model

#hybridity objectivity

#Imamura Shohei

#indexical relationship

#Kinoeye

#Lim Kwontaek

#linguistic turn

#macroscopic ideology

#military film

#mise en abyme

#mode

#modernity

#Movie promotion corporation

#native melodramatic mode

#new trend of Japanese films

#Oshima Nagisa

#Park Gi Chae

#period melodrama

#post-modernism

#post-modernity

#screen quota

#Silent Film

#simulacra

#Sinpageuk(transpotine melodrama)

#social-criticism element through sex and violence

#Suzuki Seijun

#The Cinema of Attractions

#the matter of Gwangju

#the new-wave movement

#topographic profile

#two-level game

#Vertov

#vitalism

#win-set

#Yamada Yoji

#Yeonswaegeuk(kinoDrama)