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자료유형
학술저널
저자정보
유지나 (동국대학교)
저널정보
한국영화학회 영화연구 영화연구 61호
발행연도
2014.9
수록면
249 - 270 (22page)

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초록· 키워드

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Much of the discourse about 〈Avatar〉(2009, James Cameron) centers around record financial profits of the film or the emotional 3D performance; however, this study focuses on the phenomenon of the “becoming-” mechanism according to Deleuze/Guattari’s Rhizome’s breakaway within the cosmo-ecological level of Pandora. The process of “becoming-” generates a breakaway.
Through narrative text focusing image mise-en-scene, this “becoming-” process of hero Jake Sully is multifaceted as well as conflicted in accordance to the battle between the humans and the Na’vi tribe. In the process “becoming-” the de-territorialization happens by re-territorialization in which the mind-body replaced by the new properties of the assemblage.
First, Jake “becoming-twin brother” in order to match twin brother’s avatar and “becoming-(secret) agent” for Colonel Miles Quaritch. In this first process, it is the issue to rescue his paraplegic legs, so ‘to be free’. For this mission, he is divided into two: one is ‘human-Jake’, the other ‘avatar-Jake’operated by genetically matched humans, Secondly, his “becoming-avatar” gives him joy of free in spite of obstacle s dues to Pandora’s nature’s power. This process brings ‘Jake-avatar’ as ‘Na’vi warrior’ as well as Neytiri’s lover. But his double roles puts him in very deep suffering such as video recording showing “who am I ?” question facing his breakaway’s de-territorialization level in the cracked mirror. Jake confesses to being a agent and the Na’vi take him and Dr. Grace captive.
Finally, Jake reveals his owen way to “becoming-Na’vi” experiencing Dr. Grace death after facing Pandora’s Nature-mother (Eywa) and the destruction of Hometree by humans, the biological neural network native to Pandora, with many Na’vi tribe many others. Jake is then reconfirmed as a warrior of the Na’vi in the meeting at the Tree of Souls.
In these repetitive but differential “becoming-”processes, 〈Avatar〉 text creates conflict between the human’s capitalistic civilization and Pandora’s ecological life network. Even though the text makes an ecologically ethical point through Rhizome’s breakaway of Jake, the text as a whole fits Hollywood’s strategy to expand global marketing.

목차

1. 들어가는 말
2. ‘-되기’ 생성 메커니즘
3. 변이 생성 생태 네트워크, 분열에서 탈영토화로
4. 나가며...
참고문헌
Abstract

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UCI(KEPA) : I410-ECN-0101-2015-688-002799107