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논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2010.6
- 수록면
- 259 - 284 (26page)
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In the Renaissance Age, ‘revenge tragedy’ was the most frequently performed dramatic form on the stage, and The Spanish Tragedy is one of the representative revenge tragedies. This paper aims at comprehensive understanding of The Spanish Tragedy by explaining its historical background and by analyzing the methods and causes of revenge in the work.
The great advantages of The Spanish Tragedy as a revenge play are that strong revenge motives are given and amplified in two murders of Andrea and Horatio happened before the play starts, and almost all the horrible actions take place on the stage. The conflicts between two opposing forces of Hieronimo and Lorenzo started from the middle of the play continues to the end, and their secret and cruel struggles increase dramatic interests. The consistence of characters and plot remains to its end, and the play within play embellished the denouement.
The revenge cause of this play is justice sublimed into the religious level. In this play, various justices are suggested such as divine justice, earthly justice and hellish justice. In the course of revenge, as the Christian ideas of revenge begin to appear, the protagonist Hieronimo suffers more serious mental or psychological conflict than any other characters. In his revenging duties, Hieronimo suggests the spectators that there is no justice in human level and Spain is not the desirable nation in his experience.
The great advantages of The Spanish Tragedy as a revenge play are that strong revenge motives are given and amplified in two murders of Andrea and Horatio happened before the play starts, and almost all the horrible actions take place on the stage. The conflicts between two opposing forces of Hieronimo and Lorenzo started from the middle of the play continues to the end, and their secret and cruel struggles increase dramatic interests. The consistence of characters and plot remains to its end, and the play within play embellished the denouement.
The revenge cause of this play is justice sublimed into the religious level. In this play, various justices are suggested such as divine justice, earthly justice and hellish justice. In the course of revenge, as the Christian ideas of revenge begin to appear, the protagonist Hieronimo suffers more serious mental or psychological conflict than any other characters. In his revenging duties, Hieronimo suggests the spectators that there is no justice in human level and Spain is not the desirable nation in his experience.
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참고문헌 (18)
참고문헌 신청
1. [단행본] - Altman, Joel B / 1978 / The Tudor Play of Mind: Rhetorical Inquiry and the Development of Elizabethan Drama / U. of California
2. [단행본] - Bowers, Fredson Thayer / 1959 / Elizabethan Revenge Tragedy, 1587-1642 / Peter Smith
3. [단행본] - Brooke, Tucker / 1977 / A Literary History of England II: The Renaissance / Routledge & Kegan Paul
4. [단행본] - Cuddon, J. A / 1992 / The Penguin Dictionary of Literary Terms and Literary Theory / Penguin
5. [단행본] - Eliot, T. S / 1980 / Selected Essays / Faber
2. [단행본] - Bowers, Fredson Thayer / 1959 / Elizabethan Revenge Tragedy, 1587-1642 / Peter Smith
3. [단행본] - Brooke, Tucker / 1977 / A Literary History of England II: The Renaissance / Routledge & Kegan Paul
4. [단행본] - Cuddon, J. A / 1992 / The Penguin Dictionary of Literary Terms and Literary Theory / Penguin
5. [단행본] - Eliot, T. S / 1980 / Selected Essays / Faber
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