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This thesis attempts to examine the Mesoamericans' view of the universe, the world, life and their values. Among the myths inherited from Maya, Azteca, and Inca, a representative Mayan text of myth and history is chosen: Popol Vuh. By delving into this book to see the Mesoamericans as well as the Mayan-Quiches, the archetypal concept of the ancient Mesoamerican cultural conscious system is expected to be extracted.
The followings are what Popol Vuh mainly tells about: the world creation by the consent of the three deities, Huracan, Tepeu, and Gucumatz; the underworld journey of Hun-Hunapuh who is the first ancestor of humans as well as the god of corns; another underworld journey, that is commanded by Huracan, of Hun-Hunapuh's twin sons; the creation of corn-man by the god of heaven and the god of creation; and finally the history of Mayan-Quiches. Excluding the historical account, this thesis focuses on the mythological discourse, in which the Mayan natives' mental world is dissolved, to analyze their mental and cultural system of thought.
In the second chapter, the symbol of the god Huracan and two creator gods Tepeu and Gucumatz and the meaning of their participation in the Creation are analyzed. Some other symbols are also considered here: those of the twin brothers', Hunahpu and Ixbalanque's journey to the underworld and also of their accession to the seat of the god. The influence and meaning of the sun god's emergence and his circular movement are also examined.
In the third chapter, the general concept that the Mesoamericans have of the underworld Xibalba is studied and the symbol both the play of pelota(juego de pelota) and the playing ground have is examined. Moreover, some meanings are analyzed concerning the death of Hun-Hunapuh, the first father of Mayans; the conception of Ixquic, the woman of the underworld, by his saliva; and her delivery. What the journey to the underworld, the place of death and rebirth, means and what the sacrificial rites imply are summarized here.
In the fourth chapter, the meanings that the mud-man, the tree-man, and the corn-man have are looked into and the purpose of gods' human creation and humans' inborn fate are studied.
In the fifth chapter, on the basis of the symbols and meanings found in the mythological discourse of Popol Vuh through the preceding chapters, the archetypal thinking system of the Mesoamericans as well as the Mayans is examined. This is to study their essential system of cultural consciousness.
The followings are what Popol Vuh mainly tells about: the world creation by the consent of the three deities, Huracan, Tepeu, and Gucumatz; the underworld journey of Hun-Hunapuh who is the first ancestor of humans as well as the god of corns; another underworld journey, that is commanded by Huracan, of Hun-Hunapuh's twin sons; the creation of corn-man by the god of heaven and the god of creation; and finally the history of Mayan-Quiches. Excluding the historical account, this thesis focuses on the mythological discourse, in which the Mayan natives' mental world is dissolved, to analyze their mental and cultural system of thought.
In the second chapter, the symbol of the god Huracan and two creator gods Tepeu and Gucumatz and the meaning of their participation in the Creation are analyzed. Some other symbols are also considered here: those of the twin brothers', Hunahpu and Ixbalanque's journey to the underworld and also of their accession to the seat of the god. The influence and meaning of the sun god's emergence and his circular movement are also examined.
In the third chapter, the general concept that the Mesoamericans have of the underworld Xibalba is studied and the symbol both the play of pelota(juego de pelota) and the playing ground have is examined. Moreover, some meanings are analyzed concerning the death of Hun-Hunapuh, the first father of Mayans; the conception of Ixquic, the woman of the underworld, by his saliva; and her delivery. What the journey to the underworld, the place of death and rebirth, means and what the sacrificial rites imply are summarized here.
In the fourth chapter, the meanings that the mud-man, the tree-man, and the corn-man have are looked into and the purpose of gods' human creation and humans' inborn fate are studied.
In the fifth chapter, on the basis of the symbols and meanings found in the mythological discourse of Popol Vuh through the preceding chapters, the archetypal thinking system of the Mesoamericans as well as the Mayans is examined. This is to study their essential system of cultural consciousness.
목차
Ⅰ. 머리말
Ⅱ. 천지창조
Ⅲ. 지하계로의 여행
Ⅳ. 인간창조
Ⅴ. 신화에 나타난 마야인들의 문화의식
Ⅵ. 맺는말
참고 문헌
참고문헌 (17)
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UCI(KEPA) : I410-ECN-0101-2012-705-003610250