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Jianan(建安) was the reign title of Emperor Xiandi(獻帝) of the Han(漢) Dynasty. JiananQizi(建安七子) was the Seven Masters of the Jianan Era who enjoyed the CaoCao(曹操) family's patronage, KongRong(孔融)? WangCan(王粲)?ChenLin(陳琳)?LiuZhen(劉楨)?XuGan(徐幹)?RuanYu (阮瑀)?YingChang(應?). JiananQizi's poems had something in common, ushered in a new era of literary circles. The style of Jianan Era's literature is called JiananFenggu(建安風骨). But JiananFenggu's style made a distinction between the before and after appointment in CaoCao government.
For example, before the appointment, WangCan was more keenly sensitive than the most of the evils of his day, his Five Pieces in the CongJunShi(從軍詩, the poem of joining the army) and The Three in the QiAiShi(七哀詩, the poem of seven sorrow) described the grim scenes and wretched life of Jianan Era. ChenLin(陳琳)'s YinMaChangChengKuXing(飮馬長城窟行, the song of watering a horse at the Great wall`s cave) was composed by the form of dialogues between three personae, a living description of the officer, a private soldier and the soldier's wife, in the building of the Great Wall(長城), and it reflected the features of the age and the times of war. RuanYu(阮瑀)'s JiaChuBeiGuoMen(駕出北郭門, driving a chariot out the gate of the northern suburbs), a poem about mistreatments of the stepmother, drawed its inspiration from the popular ballads of that period. Also, its realism plainly attests the influence of the popular ballads(民歌) on literary circles at the end of the Han(漢) period.
But after the appointment, except KongRong(孔融), they were obsequious to the CaoCao's powerful government. Therefore, the trend of the poems were praising and giving thanks to CaoCao's family. This paper aims to find out the variations of JiananQizi's poems, before and after the appointment in CaoCao's government.
For example, before the appointment, WangCan was more keenly sensitive than the most of the evils of his day, his Five Pieces in the CongJunShi(從軍詩, the poem of joining the army) and The Three in the QiAiShi(七哀詩, the poem of seven sorrow) described the grim scenes and wretched life of Jianan Era. ChenLin(陳琳)'s YinMaChangChengKuXing(飮馬長城窟行, the song of watering a horse at the Great wall`s cave) was composed by the form of dialogues between three personae, a living description of the officer, a private soldier and the soldier's wife, in the building of the Great Wall(長城), and it reflected the features of the age and the times of war. RuanYu(阮瑀)'s JiaChuBeiGuoMen(駕出北郭門, driving a chariot out the gate of the northern suburbs), a poem about mistreatments of the stepmother, drawed its inspiration from the popular ballads of that period. Also, its realism plainly attests the influence of the popular ballads(民歌) on literary circles at the end of the Han(漢) period.
But after the appointment, except KongRong(孔融), they were obsequious to the CaoCao's powerful government. Therefore, the trend of the poems were praising and giving thanks to CaoCao's family. This paper aims to find out the variations of JiananQizi's poems, before and after the appointment in CaoCao's government.
목차
Ⅰ. 서론
Ⅱ. 건안문학과 건안칠자
Ⅲ. 결론
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참고문헌 (12)
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