지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
The purpose of this study is to show the morphological structure of parody in Jeong Hui-seong’s poems. It can be summarized as follows.
First, one way of the morphological structure of parody is an externalization as the device of foregrounding of original works. This means that Jeong Hui-seong borrows the structures and poetic minds of famous poems in order to make readers recognize them easily through their appearance. He parodies Park Mok-wol’s “Mountain Surrounding Me” into “Mountain Asking to Me” “Mountain Asking to Me” describes the sense of realism and fierce life of common people who suffer from the poverty and starvation, while Park Mok-wol’s “Mountain Surrounding Me” depicts the union of nature.
Second, as a device of foregrounding of original works, an internalization means to borrow ,partially, the phrases of famous poems to emphasize a poetic theme. Or it can be used directly in terms of a poetic mind by calling attention to the poetic concept and the comprehensive image.
It is easy to find borrowed partial phrases and images in Jeong Hui-seong’s Poems. For “Stone”, he borrows the criticism of values of disguised reality adapted from Seo Jeong-ju’s “Looking at Moodeung” and the positive value of life through the images of revolution and liberty from Kim Soo-young’s “Blue Sky”. And for “Entering Maeheon’s old house”, he borrows the awareness of cold reality and the consciousness of the future-oriented sense of pioneers from Yi Yuk-sa’s “Wild Field”.
First, one way of the morphological structure of parody is an externalization as the device of foregrounding of original works. This means that Jeong Hui-seong borrows the structures and poetic minds of famous poems in order to make readers recognize them easily through their appearance. He parodies Park Mok-wol’s “Mountain Surrounding Me” into “Mountain Asking to Me” “Mountain Asking to Me” describes the sense of realism and fierce life of common people who suffer from the poverty and starvation, while Park Mok-wol’s “Mountain Surrounding Me” depicts the union of nature.
Second, as a device of foregrounding of original works, an internalization means to borrow ,partially, the phrases of famous poems to emphasize a poetic theme. Or it can be used directly in terms of a poetic mind by calling attention to the poetic concept and the comprehensive image.
It is easy to find borrowed partial phrases and images in Jeong Hui-seong’s Poems. For “Stone”, he borrows the criticism of values of disguised reality adapted from Seo Jeong-ju’s “Looking at Moodeung” and the positive value of life through the images of revolution and liberty from Kim Soo-young’s “Blue Sky”. And for “Entering Maeheon’s old house”, he borrows the awareness of cold reality and the consciousness of the future-oriented sense of pioneers from Yi Yuk-sa’s “Wild Field”.
목차
1. 서론
2. 원텍스트적 전경화 장치의 외재화
3. 원텍스트적 전경화 장치의 내재화
4. 결론
【참고문헌】
【Abstract】
참고문헌 (3)
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