지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
This study looked into the poet Kang Sun, the Korean-Japanese Diaspora. After liberation, the Korean-Japanese Diaspora poetry started from Huh nam-gi, Kang Sun, and Nam si-woo, and it was transferred to Kim si-jong, Kim Yun, Jung hwa-hum, Kim hak-ryeol, and Jung hwa-su.
Huh nam-gi’s poetry had been processed to directly visualize the hurt of colonization and division based on anti-imperial, anti-feudal national consciousness and popular consciousness. The visualization of narrative mind that used the national sufferings as main materials had the meaning of aesthetic practice expressing poetic visualization of historical consciousness. His poetry shows the point of confusion that seems hard to be considered as the one person’s poetry world because of a conspicuous gab between pre-and post- Chongryun of 1955. This resulted from the inner conflict and hurt that he could not but go through as the Korean who experienced the history of national division under the Japanese imperialism. His poetry definitely became the most significant guide to overall understand the history and meaning of the Korean-Japanese Diaspora after liberation.
After liberation, the Korean-Japanese Diaspora poetry was based on historical consciousness and ideology of the Korean-Japanese who internalized their hurt of colonization and division. Therefore, most of works tried to stand for realistic nature directly showing political social issues, instead of focusing on deepening the lyricism to condense personal emotion to the indentified world. As post-nationalism, post-society discourse is currently appearing as the important issue beyond the boundary of race and nation, the perspective of ‘Diaspora’ and problem awareness have attracted attention as the effective discourse to understand and analyze the rapidly changing world. Huh nam-gi’s poems have an important literary meaning as the text containing such the problem awareness.
Huh nam-gi’s poetry had been processed to directly visualize the hurt of colonization and division based on anti-imperial, anti-feudal national consciousness and popular consciousness. The visualization of narrative mind that used the national sufferings as main materials had the meaning of aesthetic practice expressing poetic visualization of historical consciousness. His poetry shows the point of confusion that seems hard to be considered as the one person’s poetry world because of a conspicuous gab between pre-and post- Chongryun of 1955. This resulted from the inner conflict and hurt that he could not but go through as the Korean who experienced the history of national division under the Japanese imperialism. His poetry definitely became the most significant guide to overall understand the history and meaning of the Korean-Japanese Diaspora after liberation.
After liberation, the Korean-Japanese Diaspora poetry was based on historical consciousness and ideology of the Korean-Japanese who internalized their hurt of colonization and division. Therefore, most of works tried to stand for realistic nature directly showing political social issues, instead of focusing on deepening the lyricism to condense personal emotion to the indentified world. As post-nationalism, post-society discourse is currently appearing as the important issue beyond the boundary of race and nation, the perspective of ‘Diaspora’ and problem awareness have attracted attention as the effective discourse to understand and analyze the rapidly changing world. Huh nam-gi’s poems have an important literary meaning as the text containing such the problem awareness.
목차
1. 머리말
2. 반제반봉건의 투쟁의식과 서사 정신의 구현
3. 식민지 잔재의 청산과 민중의식의 실천
4. 민족 교육에 대한 신념과 총련의 선전선동
5. 맺음말
【참고문헌】
【Abstract】
참고문헌 (16)
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UCI(KEPA) : I410-ECN-0101-2010-809-003399128