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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
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This thesis aims to develop the comparative study on the postcolonial strategies in the Kim Su-Young’s and Kim Ji-Ha’s poems. The results of the investigation are summarized as the following:
First, this thesis investigates differences between Kim Su-Young’ poems and Kim Ji-Ha’s poems on cultural strategies of postcolonialism.
Second, it investigates that Kim Su-Young’ poems aim to discriminate themselves against the culture of Western imperialism and colonialism through ‘appropriation’ among cultural strategies of postcolonialism.
Third, it investigates that Kim Ji-Ha’s poems aim to discriminate themselves against the culture of Japanese imperialism and colonialism through ‘decolonization’ among cultural strategies of postcolonialism.
Fourth, the paper also argues that the ‘appropriation’ among cultural strategies of postcolonialism is based on ‘cultural hybridity’ be connected with disidentification discourse.
Fifth, the paper also argues that ‘decolonization’ among cultural strategies of postcolonialism is based on ‘genre-parody’ be connected with counter-identification discourse.
Finally, it is clamed that Pansori-poem(판소리시) is a peculiar literature genre through a combination of modern poetry and Pansori(판소리) among Korean modern literature.
First, this thesis investigates differences between Kim Su-Young’ poems and Kim Ji-Ha’s poems on cultural strategies of postcolonialism.
Second, it investigates that Kim Su-Young’ poems aim to discriminate themselves against the culture of Western imperialism and colonialism through ‘appropriation’ among cultural strategies of postcolonialism.
Third, it investigates that Kim Ji-Ha’s poems aim to discriminate themselves against the culture of Japanese imperialism and colonialism through ‘decolonization’ among cultural strategies of postcolonialism.
Fourth, the paper also argues that the ‘appropriation’ among cultural strategies of postcolonialism is based on ‘cultural hybridity’ be connected with disidentification discourse.
Fifth, the paper also argues that ‘decolonization’ among cultural strategies of postcolonialism is based on ‘genre-parody’ be connected with counter-identification discourse.
Finally, it is clamed that Pansori-poem(판소리시) is a peculiar literature genre through a combination of modern poetry and Pansori(판소리) among Korean modern literature.
목차
Ⅰ. 김수영과 김지하 비교의 시각
Ⅱ. 탈식민주의 전략의 방법론
Ⅲ. 김수영 시의 탈식민주의 전략
Ⅳ. 김지하 시의 탈식민주의 전략
Ⅴ. 탈식민주의 전략 비교의 의의
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Abstract
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UCI(KEPA) : I410-ECN-0101-2010-811-002582049