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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
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초록· 키워드
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The purpose of this study is to examine the Korea Narye and it's formation and development in Korea based on our traditional rite of exorcism religious ceremony to lay all bad spirits and ghosts which may cause illness and disaster. This paperalso overviews the impact of the Narye on the Korean tradition in terms of ritual and play. The following is a summary about some aspects of ancient Busan culture related to the rite of exorcims, which provided the cultural background for accepting the Korea Narye.
There are two types of Kedongdaenayi, the large Narye rite held in December, which was practiced at that time. One was the Chinese tradi-tional Nayiwhich originated from the Nayi in the Tang era and other was the modified Nayi, the mixture with that of Tang and our traditional rite. The modified Nayi was the type of shaman ritual composed of the rite to exercise wicked spirits and the performance of music and dance.
Since the middle of the Koryo era, Narye had become the yearend fes-tival based on the musical performance and dance rather than the formal rite, with so many female dancers who were unnecessary in the ori-ginal Narye.
Korean Narye and Nahee can be classified as court Narye, temple Narye, military Narye, local gorvernment Narye, and folkloric Narye. It is also believed that the formation and development of the Maegut and masked play had a great impact on the development of Naryed and Nahee and vice versa.
The original purpose of the military Narye was to expel wicked spirits and encourage the soldier, and in turn affected the development of the folkloric Maegut. The local government Narye showed the characteristics of the local area.
Judging from the fact that area where the current Sandaedonggamgeuk type of masked play was originated from, coincide with that of the Sandae Narye that was often performed for welcoming ambassadors, tradi-tional masked palys are considered to have originated from the local government Narye.
There are two types of Kedongdaenayi, the large Narye rite held in December, which was practiced at that time. One was the Chinese tradi-tional Nayiwhich originated from the Nayi in the Tang era and other was the modified Nayi, the mixture with that of Tang and our traditional rite. The modified Nayi was the type of shaman ritual composed of the rite to exercise wicked spirits and the performance of music and dance.
Since the middle of the Koryo era, Narye had become the yearend fes-tival based on the musical performance and dance rather than the formal rite, with so many female dancers who were unnecessary in the ori-ginal Narye.
Korean Narye and Nahee can be classified as court Narye, temple Narye, military Narye, local gorvernment Narye, and folkloric Narye. It is also believed that the formation and development of the Maegut and masked play had a great impact on the development of Naryed and Nahee and vice versa.
The original purpose of the military Narye was to expel wicked spirits and encourage the soldier, and in turn affected the development of the folkloric Maegut. The local government Narye showed the characteristics of the local area.
Judging from the fact that area where the current Sandaedonggamgeuk type of masked play was originated from, coincide with that of the Sandae Narye that was often performed for welcoming ambassadors, tradi-tional masked palys are considered to have originated from the local government Narye.
목차
1. 서론
2. 부산지역 나문화의 전통과 야류의 연희적 기반
3. 수영야류의 ‘군나‘적 전통과 연희적 특성
4. 동래야류의 ‘관아나‘적 전통과 연회적 특성
5. 결론
참고문헌
Abstract
참고문헌 (15)
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UCI(KEPA) : I410-ECN-0101-2010-905-002500131