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Hakjigwang was published by Korean students in Tokyo, from 1914 to 1930. This academic journal is very important in the history of modern Korean literature. In Those days, Chosun Dynasty being under the control of Japanese imperialism, the Korean students discovered aesthetic cognition under the collapsing circumstances of their society, which was, therefore, very important and valuable.
Kim Yeo-jeh(1895 ∼1968) is an important poet at that time. But, until now, he has been forgotten and his life was unknown to the world. This paper aims to rediscover his works and his life. Kim Yeo-jeh graduated from Osan School and went to Japan for study. In Japan, he wrote a very advanced modern free style of verses such as ‘Manmanpapasikjuk’s weeping'. He returned home after graduating from Waseda University and took part in the ‘3ㆍ1 Independence Movement’ and then he went to Sanghai, where he participated in the Korean provisional government for his nation’s independence. While he was in Sanghai, he wrote a lot of poems published in the DokLip ShinMun. Later, finishing studying pedagogy in America, he returned home and taught at many schools.
Whatever he had did he was a poet and his aesthetic interest was that of modern free verse. He suggested self-recognition is most valuable in the aesthetic aspects, and he denied public norms or morals. He used that kind of aesthetic method for Korean independence movement. Under the circumstances of colonial situation by Japan, he tried to reorganize the value of modern aesthetics and independence of his homeland.
Kim Yeo-jeh(1895 ∼1968) is an important poet at that time. But, until now, he has been forgotten and his life was unknown to the world. This paper aims to rediscover his works and his life. Kim Yeo-jeh graduated from Osan School and went to Japan for study. In Japan, he wrote a very advanced modern free style of verses such as ‘Manmanpapasikjuk’s weeping'. He returned home after graduating from Waseda University and took part in the ‘3ㆍ1 Independence Movement’ and then he went to Sanghai, where he participated in the Korean provisional government for his nation’s independence. While he was in Sanghai, he wrote a lot of poems published in the DokLip ShinMun. Later, finishing studying pedagogy in America, he returned home and taught at many schools.
Whatever he had did he was a poet and his aesthetic interest was that of modern free verse. He suggested self-recognition is most valuable in the aesthetic aspects, and he denied public norms or morals. He used that kind of aesthetic method for Korean independence movement. Under the circumstances of colonial situation by Japan, he tried to reorganize the value of modern aesthetics and independence of his homeland.
목차
1. 『학지광』과 김여제의 등장
2. 김여제의 시세계
3. 『학지광』과 김여제 시의 의의
참고문헌
[Abstract]
참고문헌 (28)
참고문헌 신청
1. [단행본] - / 2001 / 학지광 / 역락
2. [단행본] - 강희근 / 1979 / <학지광>에 나타난 시인들의 의식과 시의 모습에 대하여(배달말 제4집) / 형설출판사 : 87 ~ 110
3. [학술지(정기간행물)] - 고운기 / 2003 / <만만파파식적울음>과 근대시 / 문학사상 : 40 ~ 43
4. [단행본] - 구인모 / 2000 / 『학지광』문학론의 미학주의(한국근대문학연구 창간호) / 태학사 : 116 ~ 139
5. [학술지(정기간행물)] - 구인환 / 1978 / 자유시와 서사시의 형성-학지광을 중심으로 / 시문학 : 53 ~ 68
2. [단행본] - 강희근 / 1979 / <학지광>에 나타난 시인들의 의식과 시의 모습에 대하여(배달말 제4집) / 형설출판사 : 87 ~ 110
3. [학술지(정기간행물)] - 고운기 / 2003 / <만만파파식적울음>과 근대시 / 문학사상 : 40 ~ 43
4. [단행본] - 구인모 / 2000 / 『학지광』문학론의 미학주의(한국근대문학연구 창간호) / 태학사 : 116 ~ 139
5. [학술지(정기간행물)] - 구인환 / 1978 / 자유시와 서사시의 형성-학지광을 중심으로 / 시문학 : 53 ~ 68
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