지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
Banga taryeong milling songs, belonging to the representative tunes among the sadangpae troupes, have been considered similar to the popular folk song Banga taryeong of Gyeonggi province, but little is clearly known about what they are and what its relation to other songs is. This paper traces the lineage of the songs through examining the slow and fast versions in the same nomenclature found in Yeochoeon and Damyang as well as the southwestern islands.
Sadangpae's Banga taryeong found in these areas were originally introduced as entertainment song but gradually transformed into lay people's working song, depending upon each area's needs and circumstances.
Slower versions, "Gin banga taryeong", centering mainly on southwestern islands, have been variously adapted, of which that of Jindo Island seems to be most similar to the original sadangpae's version, since it is almost identical with the Gin banga taryeong by seonsori santaryeongpae ("standing mountain song troupe"). By comparing it to the related folk song Banga taryeong from Gyeonggi province, it became clearer what the sadangpae's Banga tryeong was like.
That the other, faster versions ("Jajin banga taryeong") have also found in southwestern islands as well as Yeocheon, Damyang, Ansong, and Pyeongan and Hamgyeong provinces testifies to the faa that this genre boasts a considerably wide distribution. The faster ones are usually simpler, without, if any, remarkable transformations.
The musical traits of the above songs are shown in the following table:
Gin (slower) banga taryeong Jajin (faster) banga taryeong
Time triple, four-beat, triple, four-beat, a little faster than bongneun taryeong jungjungmori
Mode gyeong tori ban ("semi") gyeong tori (finalis) (re) (re)
Form Re: ABCD Re: ABCD(A) Call: EFG(FG')HD Call: XBCD
Though sadangpae troupes' songs disappeared since the end of the nineteenth century, the inheritance continued to deeply influence traditional music culture through the performances by nam sadangpae, santaryeongpae and naltangpae troupes, of which the genealogy of Banga taryeong outlined in this paper is a significant demonstration.
Sadangpae's Banga taryeong found in these areas were originally introduced as entertainment song but gradually transformed into lay people's working song, depending upon each area's needs and circumstances.
Slower versions, "Gin banga taryeong", centering mainly on southwestern islands, have been variously adapted, of which that of Jindo Island seems to be most similar to the original sadangpae's version, since it is almost identical with the Gin banga taryeong by seonsori santaryeongpae ("standing mountain song troupe"). By comparing it to the related folk song Banga taryeong from Gyeonggi province, it became clearer what the sadangpae's Banga tryeong was like.
That the other, faster versions ("Jajin banga taryeong") have also found in southwestern islands as well as Yeocheon, Damyang, Ansong, and Pyeongan and Hamgyeong provinces testifies to the faa that this genre boasts a considerably wide distribution. The faster ones are usually simpler, without, if any, remarkable transformations.
The musical traits of the above songs are shown in the following table:
Gin (slower) banga taryeong Jajin (faster) banga taryeong
Time triple, four-beat, triple, four-beat, a little faster than bongneun taryeong jungjungmori
Mode gyeong tori ban ("semi") gyeong tori (finalis) (re) (re)
Form Re: ABCD Re: ABCD(A) Call: EFG(FG')HD Call: XBCD
Though sadangpae troupes' songs disappeared since the end of the nineteenth century, the inheritance continued to deeply influence traditional music culture through the performances by nam sadangpae, santaryeongpae and naltangpae troupes, of which the genealogy of Banga taryeong outlined in this paper is a significant demonstration.
목차
Ⅰ. 머리말
Ⅱ. 사당패소리 방아타령
Ⅲ. 맺음말
〈참고문헌〉
〈부록〉
참고문헌 (0)
참고문헌 신청함께 읽어보면 좋을 논문
논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!
-
20세기 전반기 〈방아타령〉계 노래의 지속과 변모
한국민요학
2010 .12
-
〈탄금대 방아타령〉의 명칭과 변개양상
한국민요학
2010 .04
-
북한 방아소리의 음악적 특징
한국민요학
2017 .04
-
경토리의 개념과 범주 재고(再考)
국악교육
2013 .12
-
경기도 토속민요 방아소리 연구 : 경기 동, 남부지역을 중심으로
한국민요학
2003 .12
-
경·서도민요 〈도화타령〉의 음악사적 연구
한국민요학
2011 .12
-
황해도 통속민요 〈배꽃타령〉에 대한 史的 고찰 : 사당패〈배꽃타령〉과의 관계를 중심으로
한국민요학
2012 .08
-
경기 통속민요 〈매화타령〉의 지속과 변모
한국민요학
2010 .12
-
통속민요의 지역권과 음악 인식의 문제 – 경서도의 몇몇 통속민요를 중심으로 -
한국민요학
2018 .08
-
서도민요 〈긴난봉가〉에 대한 史的 고찰 : 사당패 〈동풍가〉와 음악적 관련성을 토대로
한국민요학
2008 .08
-
산아지타령 계열 악곡의 음악적 존재양상과 의미
한국민요학
2007 .12
-
경기민요 〈천안삼거리(흥타령)〉에 대한 史的 고찰
한국민요학
2009 .08
-
경기도 논농사소리의 음악적 특징과 지역별 분포 : 모심는소리ㆍ논매는소리를 중심으로
한국민요학
2003 .06
-
둥당애타령류의 교과서 수록 문제와 교육적 지도방안
한국민요학
2020 .08
-
경기도 서북부지역과 황해도의 논농사소리 비교연구
한국민요학
2006 .06
-
전라남도 민요의 분포와 특징 : 논매기소리와 모심기소리를 중심으로
한국민요학
2003 .06
-
경기 서북부지역의 모심는소리 연구
한국민요학
2004 .06
-
〈범벅타령〉의 전승 양상과 담론 특성
한국민요학
2013 .12
-
충남 서해안지역 어업노동요의 음악적 연구
한국민요학
2004 .12
-
한국 민요 선법(토리)의 연구 성과 검토 및 논점
한국민요학
2016 .04
이 논문의 저자 정보
이 논문과 함께 이용한 논문
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2009-673-017603349