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논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2006.8
- 수록면
- 195 - 223 (29page)
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Lyrical Ballads of 1800 serves as an exemplary locus of investigating current Romantic issues such as the problematics of the author, the emergence of professional poets and its corollary of intellectual property rights, and the dynamics of literary collaboration inherent in writing itself. The 1800 Lyrical Ballads is made up of two separate volumes; the first one contains virtually the same poems of the 1798 volume but the original sequence is totally altered. It begins with “the Preface,” in which Wordsworth manifests his poetic principles, claiming that he is a single, legitimate author. Noticeable is no mention of the real name of Coleridge, whose assistance and sacrifice are pivotal elements in the creation of William Wordsworth as a poet. A large number of poems are newly incorporated into the second volume of 1800, dealing with the subject of inscription, naming acts, and literary property and ownership. Wordsworth’s authorial intervention to regulate the entire volumes of 1800 obliterates and appropriates the poetic premise of 1798, which is addressed in the “Advertisement,” for the purpose of creating a regime of private property through the act of writing.
Wordsworth’s creation of himself as a poet in the 1800 Lyrical Ballads is legitimate in the sense that the poetic volumes are diligently written and have coherence. “Expostulation and Reply” is strategically relocated at the opening place of the first volume and has the first person singular “I,” whose name is “William.” “Hart-Leap Well,” the opening poem of the second volume, has obvious thematic references to the 1798 volume and contains a poet figure, who meditates on the ritual of killing in a spirit of sorrow. A lot of other poems that include “The Brothers,” “Rural Architecture,” and “Pat Lamb, A Pastoral,” can be read as fictional comments on their relationships to the previous volume of 1798. About the time he writes poems for publishing the 1800 edition, Wordsworth is determined to make a living as a poet. Writing poetry is now a means of maintaining his livelihood, as well as producing aesthetic works. In many poems of the 1800 Lyrical Ballads, he sets about redefining the idea of writing. A few recurrent motifs he employs for example, the metaphors of reading, harvesting, and cultivating soils are remarkable in relation to Wordsworth’s sense of calling as a professional poet.
Wordsworth’s creation of himself as a poet in the 1800 Lyrical Ballads is legitimate in the sense that the poetic volumes are diligently written and have coherence. “Expostulation and Reply” is strategically relocated at the opening place of the first volume and has the first person singular “I,” whose name is “William.” “Hart-Leap Well,” the opening poem of the second volume, has obvious thematic references to the 1798 volume and contains a poet figure, who meditates on the ritual of killing in a spirit of sorrow. A lot of other poems that include “The Brothers,” “Rural Architecture,” and “Pat Lamb, A Pastoral,” can be read as fictional comments on their relationships to the previous volume of 1798. About the time he writes poems for publishing the 1800 edition, Wordsworth is determined to make a living as a poet. Writing poetry is now a means of maintaining his livelihood, as well as producing aesthetic works. In many poems of the 1800 Lyrical Ballads, he sets about redefining the idea of writing. A few recurrent motifs he employs for example, the metaphors of reading, harvesting, and cultivating soils are remarkable in relation to Wordsworth’s sense of calling as a professional poet.
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참고문헌 (20)
참고문헌 신청
[단행본] - Averill, James / 1980 / Wordsworth and the Poetry of Human Suffering / Ithaca: Cornell UP
[단행본] - Coleridge, Samuel Taylor / 1956 / Collected Letters of Samuel Taylor Coleridge 6 vols / Oxford: Oxford UP
[단행본] - Bourdieu, Pierre / 1994 / The Field of Cultural Production: Essays on Art and Literature / NY: Columbia UP
[단행본] - Eilenberg, Susan / 1992 / Strange Power of Speech; Wordsworth, Coleridge, and Literary Possession / Oxford: Oxford UP
[단행본] - Foucault, Michel / 1977 / Language, Counter-memory, Practice / Ithaca: Cornell UP
[단행본] - Coleridge, Samuel Taylor / 1956 / Collected Letters of Samuel Taylor Coleridge 6 vols / Oxford: Oxford UP
[단행본] - Bourdieu, Pierre / 1994 / The Field of Cultural Production: Essays on Art and Literature / NY: Columbia UP
[단행본] - Eilenberg, Susan / 1992 / Strange Power of Speech; Wordsworth, Coleridge, and Literary Possession / Oxford: Oxford UP
[단행본] - Foucault, Michel / 1977 / Language, Counter-memory, Practice / Ithaca: Cornell UP
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