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논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2001.2
- 수록면
- 147 - 170 (24page)
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This paper examines the influences of Locke and Vico on Wordsworth in forming his idea of language, and in a wider scope, poetics in general. Wordsworth's sense of poetic profession was firm and strong from the very beginning of his poetic career, which highlights the importance of his poetic theories in a coherent understanding of his early poems. And the historical re-placement of Wordsworthian language in the context of the 18th century philosophy of language, is more indispensable than necessary for the systematic understanding of the kernel of his poetics.
In the first place, Wordsworth's complex relationship with Locke in the theory of language is to be examined. Under the influence of Issac Newton's mechanistic Weldanschauung, Locke regards human mind as passive and restrictive. His epistemology grounds knowledge solely on experience without allowing for an active role of the mind, the hallmark of Wordsworth's poetic theory. But it was the same Locke who taught Wordsworth the "arbitrariness" or the "radically private character" of language. Wordsworth is an empiricist to the extent that he supports "observation by introspection," but that "introspection" does produce creative perceptions in Wordsworth, enabling him to go beyond empiricism.
Wordsworth's idea of language might be more closely affiliated with Vico whose theory of metaphor provides a decisive link between Wordsworth's theory of language and his poetics. Vico's metaphor with which one sees "A" directly "as B" rather than "like B" is in fact the essence of Wordsworthian poetic epistemology because that is exactly the way Wordsworth wants his best poetic language to work. In this way, Wordsworth's poetics is aptly interpreted as Vichian metaphor, which focuses on the creative realm words can reach through embracing "silence full of meaning."
In the first place, Wordsworth's complex relationship with Locke in the theory of language is to be examined. Under the influence of Issac Newton's mechanistic Weldanschauung, Locke regards human mind as passive and restrictive. His epistemology grounds knowledge solely on experience without allowing for an active role of the mind, the hallmark of Wordsworth's poetic theory. But it was the same Locke who taught Wordsworth the "arbitrariness" or the "radically private character" of language. Wordsworth is an empiricist to the extent that he supports "observation by introspection," but that "introspection" does produce creative perceptions in Wordsworth, enabling him to go beyond empiricism.
Wordsworth's idea of language might be more closely affiliated with Vico whose theory of metaphor provides a decisive link between Wordsworth's theory of language and his poetics. Vico's metaphor with which one sees "A" directly "as B" rather than "like B" is in fact the essence of Wordsworthian poetic epistemology because that is exactly the way Wordsworth wants his best poetic language to work. In this way, Wordsworth's poetics is aptly interpreted as Vichian metaphor, which focuses on the creative realm words can reach through embracing "silence full of meaning."
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