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- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2005.8
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- 197 - 217 (21page)
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William Wordsworth’s “Resolution and Independence” has been highly praised as an achievement in his productive years and thereafter as one of his canonical works. But many readers and critics, while acknowledging the excellence of the poem, reach to an agreement that a large body of the poem is too prosaic and monotonous. However, two notable readers of Wordsworth thereafter also attend to those inconstancies in the language and style of the poem in somewhat different contexts and provide us with some useful conceptual tools in understanding the poem. Geoffrey H. Hartman in his monumental study Wordsworth’s Poetry 1787-1814 does not overlook its “strange repetitions (sts. xvii ff.)” and “uncertain” “continuity, even on the level of rhythm” but traces them back to “the poet’s distraught perplexity”(268). He regards the poem as “the most characteristic of Wordsworth’s greater lyrics because of this openness of mind which makes it in mode what it is in subject: a self-confrontation” (272). Elaborating Hartman’s insights further into the psychology of the sublime, Thomas Weiskel in his engaging but somewhat sophisticated book The Romantic Sublime: Studies in the Structure and Psychology of Transcendence first delineates two versions of sublimity: the “negative” or Kantian sublime and the “positive” or so-called “egotistical sublime.” While pointing out that Wordsworth is sometimes fully committed to desublimation, Weiskel finds him most moving “when he is sounding for himself the risks and dangers of the egotistical sublime” (58) as in “Resolution and Independence.”
Typically the above two readers, focusing on the first three stanzas of the poem, make out their strong cases and deplore the formalists’ ignoring of the “inner logic” of Romantic poems, including “Resolution and Independence.” This paper, while incorporating their psychological or psychoanalytic insights into an elucidation of the most Wordsworthian meditative poem, aims at expatiating on the inner logic of the poem by paying more attention to the whole context than they did and focusing on the speaker’s inner journey toward self-renewal through an encounter with an old leech-gatherer.
Typically the above two readers, focusing on the first three stanzas of the poem, make out their strong cases and deplore the formalists’ ignoring of the “inner logic” of Romantic poems, including “Resolution and Independence.” This paper, while incorporating their psychological or psychoanalytic insights into an elucidation of the most Wordsworthian meditative poem, aims at expatiating on the inner logic of the poem by paying more attention to the whole context than they did and focusing on the speaker’s inner journey toward self-renewal through an encounter with an old leech-gatherer.
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참고문헌 (29)
참고문헌 신청
Abrams, M. H , 1967 , Wordsworth and Coleridge on Diction and Figures (Coleridge: A Collection of Critical Essays) , Englewood Cliffs: Prentice-Hall : 125 ~ 136
Barth, J. Robert, S. J , 1977 , The Symbolic Imagination: Coleridge and the Romantic Tradition , Princeton: Princeton UP
Blake, William , 1979 , Blake’s Poetry and Designs , New York: Norton
Bloom, Harold , 1971 , The Visionary Company: A Reading of English Romantic Poetry , Ithaca: Cornell UP
Bradley, A. C , 1909 , Oxford Lectures on Poetry , London: Macmillan
Barth, J. Robert, S. J , 1977 , The Symbolic Imagination: Coleridge and the Romantic Tradition , Princeton: Princeton UP
Blake, William , 1979 , Blake’s Poetry and Designs , New York: Norton
Bloom, Harold , 1971 , The Visionary Company: A Reading of English Romantic Poetry , Ithaca: Cornell UP
Bradley, A. C , 1909 , Oxford Lectures on Poetry , London: Macmillan
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