지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
Regarding one of the tune frame of 'WolMyeongSa DoSolGa', we could realized that this tune is based on the descriptive structure for WolMyeongSa's personality.
Its structure has to be ordered as followings; a marvelous work of WolMyeongSa → the background article with <JeMangMaeGa> → the background article with <DoSalGa> for necessary condition as above.
However, <DoSolGa> and the background article must be shown was one of the technical distinctive feature of IlYeon. But he has considered how important of the cases due to collapse of sovereign power and the severance of the throne.
Also, we could red hi intention by the point of summarizing WolMyeongSa's entire works as of the background article with <JeMangMaeGa>, the point of non-marked tune as 'King KyeongDeok WolMyeongSa' and the sentense chain with '又' letter. Therefore, WolMyeongSa proposed <DoSolGa> for elimination I-Il-Byeng-Hyeon by borrowing MiReukSaeJon's reaction.
In this view, a lesson is in accord with following reasons; at first, <DoSolGa> was not sung in the middle of secret ceremony or an incantation ceremony, but an innocent monk who is belonged to national musician sung HyangGa for repulsing the ghost. Second, any difficulty could be recovered by the power of MiReukSaeJon.
The relation between 'WolMyeongSa DoSolGa' tune and 'King KyeongDeok ChungDama PyoHunDaeDeok' tune, it is remarkable that its story has developped with the character of antinomy. It means that 'King KyeongDeok ChungDamSa PhyHunDaeDeok' tune and 'WolMpyeongSa DoSolGa' tune are found whenever King KyeongDeok needed ChungDamSa or WolMyeongSa in therms of happening his political crisis. Otherwise, it drove into catastrophe due to severance of the direct blood lineage.
The first line of <DoSolGa> is shown that WolMyeongSa opened the religious ceremony table and then sung <DoSolGa> with holding a ceremony of throwing flowers, so called SanHwaGongDeokEuSik. According to the line of translated poem, 'At YongRu, singing SanHwaGa' included original meaning of 'Today with singing SanHwaGa'.
The second line of <DoSolGa> is shown its own ceremony of SanHwa GongDeok.
The third line of <DoSloGa> is accepted originally related with above translated poem, 'Let's do with secret, polite, straight heart'. So the interest is focussed on what 'straight heart' is. A flower, WolMyeongSa, HwaRang, Anti-WangDangPa, all people in ceremony, people and King KyeongDeok are possible. But King KyeongDeok must be the main person. Its purpose is shown through IlYeon's translated poem as 'secret, polite, straight heart'.
The fourth line is specifically shown what <DoSolGa>'s character is. In this poem, also should be found y a relation of the translated poem. It is reliable that 'DoSolDaeSunGa' is pointed at DoSolCheon's MiReukBoSal. And it is correct that name 'MiReokJoaJu' has changed from its master.
As a result, <DoSolGa> has to be regarded as a song of elimination I-Il-Beong-Heon which is in own King KyeongDeok's severance of the throne by borrowing MiReukBoSal's reaction from people's asking. On the assumption that above facts, it is explained possibly that WolMyeong made people touch by hs absolute sincerity and this tune is how to be written「GamTong」.
Its structure has to be ordered as followings; a marvelous work of WolMyeongSa → the background article with <JeMangMaeGa> → the background article with <DoSalGa> for necessary condition as above.
However, <DoSolGa> and the background article must be shown was one of the technical distinctive feature of IlYeon. But he has considered how important of the cases due to collapse of sovereign power and the severance of the throne.
Also, we could red hi intention by the point of summarizing WolMyeongSa's entire works as of the background article with <JeMangMaeGa>, the point of non-marked tune as 'King KyeongDeok WolMyeongSa' and the sentense chain with '又' letter. Therefore, WolMyeongSa proposed <DoSolGa> for elimination I-Il-Byeng-Hyeon by borrowing MiReukSaeJon's reaction.
In this view, a lesson is in accord with following reasons; at first, <DoSolGa> was not sung in the middle of secret ceremony or an incantation ceremony, but an innocent monk who is belonged to national musician sung HyangGa for repulsing the ghost. Second, any difficulty could be recovered by the power of MiReukSaeJon.
The relation between 'WolMyeongSa DoSolGa' tune and 'King KyeongDeok ChungDama PyoHunDaeDeok' tune, it is remarkable that its story has developped with the character of antinomy. It means that 'King KyeongDeok ChungDamSa PhyHunDaeDeok' tune and 'WolMpyeongSa DoSolGa' tune are found whenever King KyeongDeok needed ChungDamSa or WolMyeongSa in therms of happening his political crisis. Otherwise, it drove into catastrophe due to severance of the direct blood lineage.
The first line of <DoSolGa> is shown that WolMyeongSa opened the religious ceremony table and then sung <DoSolGa> with holding a ceremony of throwing flowers, so called SanHwaGongDeokEuSik. According to the line of translated poem, 'At YongRu, singing SanHwaGa' included original meaning of 'Today with singing SanHwaGa'.
The second line of <DoSolGa> is shown its own ceremony of SanHwa GongDeok.
The third line of <DoSloGa> is accepted originally related with above translated poem, 'Let's do with secret, polite, straight heart'. So the interest is focussed on what 'straight heart' is. A flower, WolMyeongSa, HwaRang, Anti-WangDangPa, all people in ceremony, people and King KyeongDeok are possible. But King KyeongDeok must be the main person. Its purpose is shown through IlYeon's translated poem as 'secret, polite, straight heart'.
The fourth line is specifically shown what <DoSolGa>'s character is. In this poem, also should be found y a relation of the translated poem. It is reliable that 'DoSolDaeSunGa' is pointed at DoSolCheon's MiReukBoSal. And it is correct that name 'MiReokJoaJu' has changed from its master.
As a result, <DoSolGa> has to be regarded as a song of elimination I-Il-Beong-Heon which is in own King KyeongDeok's severance of the throne by borrowing MiReukBoSal's reaction from people's asking. On the assumption that above facts, it is explained possibly that WolMyeong made people touch by hs absolute sincerity and this tune is how to be written「GamTong」.
목차
1. 서 론
2. 배경기사의 이해
3. 도솔가의 창작 배경 및 성격
4. 결 론
참고문헌
저자소개
Abstract
참고문헌 (0)
참고문헌 신청함께 읽어보면 좋을 논문
논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!
-
兜率歌해독의 원리와 실제 -향가 교육현장의 활용을 겸하여-
국어문학
2019 .11
-
두율가 연구(硏究)
국어국문학
1997 .05
-
「도솔가」, 구원의 문학
우리문학연구
2005 .08
-
도솔가 연구
한국민족문화
2012 .05
-
살풀이의 기원적 의미 재고 -화랑과 화랭이의 연관성을 중심으로
仙道文化
2020 .01
-
향가의 서정주체와 불국사·석굴암의 조성 방식
우리말글
2011 .12
-
조선후기 순조의 幸行과 儀禮的 성격
역사와실학
2007 .12
-
도솔가에 나타난 미륵신앙
불교학연구
2008 .01
-
Next of “King”
Localities
2016 .11
-
사무엘상 8장 11-17절의 ‘왕의 권리’ : 왕의 정당한 권리를 이야기하는 글
구약논단
2017 .12
-
혜성가도솔가의 일원론적 세계관과 민심의 조화
어문연구
2008 .01
-
고등학생의 태권도 수련에 대한 참여동기와 만족도에 관한 연구
무도연구소지
2007 .08
-
자연친화적 교육활동 프로그램이 유아의 행복감 및 자아개념에 미치는 영향
열린유아교육연구
2011 .04
-
생명존중 숲 체험활동이 유아의 환경 감수성 변화에 미치는 영향
열린유아교육연구
2012 .04
-
자유 숲놀이에 나타난 유아의 놀이 경험
열린유아교육연구
2007 .04
-
중·한 가족기업 및 특급호텔 종사자 직무특성 및 조직문화에 대한 감정노동 연구
호텔관광연구
2014 .03
-
지원 및 상황중심적 숲활동 과정에서 나타난 유아와 교사의 적응적 변화
열린유아교육연구
2018 .04
-
델파이 기법을 이용한 스킨스쿠버 활성화 요인 도출 연구
체육과학연구
2017 .01
-
관광특구지역에 있어서 로컬관광거버넌스 형성의 영향요인에 관한 연구
관광연구저널
2011 .10
-
아토피 아동 대상 산림치유 효과에 대한 체계적 문헌고찰
한국산림휴양학회지
2016 .06
이 논문의 저자 정보
이 논문과 함께 이용한 논문
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2009-810-017799516