지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
The Silla Crown was made of thin sheets of gilded metal, cut and smoothed using a technique inherited from traditions deriving from the West. This study explores the technical lineage of the Silla Crown, by considering two elements: the gold spangles and many-sided gold beads.
I would suggest two propositions about technical elements. First, the crown decorated with spangles, which were made of thin sheets of gold, was accepted from Central Asia through Silkroad. It originated in Bactriau culture. Through the commercial contacts between the Bactrian people and Xianbei(鮮卑) in the Northern China, the crown decorated with spangles was introduced into North China. Silla accepted this technique via Koguryo.
Besides the gold spangles, the Crowns of Bactria, Xianbei and Silla have a common element, that is, tree-shaped uprights of which all segments are hand-cut from thin sheet gold. The Bactrian Crown is designed in the form of stylized tree. The uprights of the Xianbei Crown consist of two elements: a pentagon and a tree. Its shape is related to their legendary mountain. The Silla Crown has tree-shaped uprights with 7 or 9 boughs that are highly stylized on the front and sides and two antler-shaped uprights in the rear. Though they have same tree motifs, there are differences according to their inherent cultures.
Related to the routes through which the crown decorated with the gold spangles are transmitted, some significant issues are raised. The route for gold spangle coincides with the gold trade route of Silla. Silla grew into a full-fledged kingdom with hereditary kings from the Kim family in the fourth century. Under the rule of Malipkan(麻立干), the gold ornaments began to be worn as the sign of their prestige and was introduced to international society through Koguryo. At that time, golds of Silla wer important items of international trade.
Last, we would consider the many-sided gold beads. This technique was applied to two small golden chains, imitations of braids, hanging from either side of the headpiece at the level of the ear. These beads are made with filigree works. Filigree works developed differently according to regional cultures. Through the prosperous sea route from India to southern area of China near to coast, these beads, which were made with small gold rings, were popular for necklaces.
From Han(漢) to East Jin(東晋), many-sided gold beads were produced in southern part of China. However, this type of beads was never excavated in the northern part of China. So, we could conclude that many-sided heads were characteristic of filligree works which were transmitted through the East Jin to Three Kingdom. In Korea, many-sided beads appeared as the daggling of earings at Koguryo. And then, in Silla, these beads were used as pendents and earings of the gold crown.
In examining the origins of technical lineage of the gold crown, some considerations must be kept in mind: Although Silla actively accepted various international techniques. she took them in her own manner reflecting her cultural surroundings.
I would suggest two propositions about technical elements. First, the crown decorated with spangles, which were made of thin sheets of gold, was accepted from Central Asia through Silkroad. It originated in Bactriau culture. Through the commercial contacts between the Bactrian people and Xianbei(鮮卑) in the Northern China, the crown decorated with spangles was introduced into North China. Silla accepted this technique via Koguryo.
Besides the gold spangles, the Crowns of Bactria, Xianbei and Silla have a common element, that is, tree-shaped uprights of which all segments are hand-cut from thin sheet gold. The Bactrian Crown is designed in the form of stylized tree. The uprights of the Xianbei Crown consist of two elements: a pentagon and a tree. Its shape is related to their legendary mountain. The Silla Crown has tree-shaped uprights with 7 or 9 boughs that are highly stylized on the front and sides and two antler-shaped uprights in the rear. Though they have same tree motifs, there are differences according to their inherent cultures.
Related to the routes through which the crown decorated with the gold spangles are transmitted, some significant issues are raised. The route for gold spangle coincides with the gold trade route of Silla. Silla grew into a full-fledged kingdom with hereditary kings from the Kim family in the fourth century. Under the rule of Malipkan(麻立干), the gold ornaments began to be worn as the sign of their prestige and was introduced to international society through Koguryo. At that time, golds of Silla wer important items of international trade.
Last, we would consider the many-sided gold beads. This technique was applied to two small golden chains, imitations of braids, hanging from either side of the headpiece at the level of the ear. These beads are made with filigree works. Filigree works developed differently according to regional cultures. Through the prosperous sea route from India to southern area of China near to coast, these beads, which were made with small gold rings, were popular for necklaces.
From Han(漢) to East Jin(東晋), many-sided gold beads were produced in southern part of China. However, this type of beads was never excavated in the northern part of China. So, we could conclude that many-sided heads were characteristic of filligree works which were transmitted through the East Jin to Three Kingdom. In Korea, many-sided beads appeared as the daggling of earings at Koguryo. And then, in Silla, these beads were used as pendents and earings of the gold crown.
In examining the origins of technical lineage of the gold crown, some considerations must be kept in mind: Although Silla actively accepted various international techniques. she took them in her own manner reflecting her cultural surroundings.
목차
Ⅰ. 머리말
Ⅱ. 樹枝式 步搖冠과 步搖裝飾
Ⅲ. 垂下式의 南方系 金環連接 空心多面體 구슬
Ⅳ. 맺음말
圖
Abstract
참고문헌 (0)
참고문헌 신청함께 읽어보면 좋을 논문
논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!
-
1930년대 金鑛 풍경과 '黃金狂時代'의 문학
한국현대문학연구
1999 .12
-
영남지역 출토 금제 귀걸이의 성분 조성에따른 유형 분류와 금속 재료 특성
헤리티지:역사와 과학
2019 .01
-
The Gold Watch
Korea Journal
1989 .03
-
[특집-채만식 탄생 100주년과 한국근대문학] 황금광시대 지식인의 초상: 채만식의 금광행을 중심으로
한국근대문학연구
2002 .10
-
5~6세기 신라 慶山地域 政治體의 冠
신라사학보
2010 .12
-
고구려와 주변국의 관모비교에 의한 한민족문화의 연원
고조선단군학
2004 .12
-
미륵사지 석탑 출토 사리장엄 금제유물의 재료학적 특성
헤리티지:역사와 과학
2014 .01
-
고려시대 금 은채굴과 금소ㆍ은소
역사와 담론
2010 .12
-
Gold Crowns of Shibarghan in Afghanistan and of the Three Kingdoms Period of Korea
Korea Journal
1983 .06
-
상처받은 신라 : 이종욱, ≪상처받은 신라－그 안에 한국인 정체성의 원점이 있다≫, 서강대학교 출판부, 2016
신라사학보
2018 .12
-
麗羅戰爭史의 再檢討
한국사학보
2007 .02
-
1930년대 ‘금광열’과 문학적 형상화 연구-『광업조선』 소재 작품을 중심으로-
겨레어문학
2015 .01
-
6~7세기 신라의 전략ㆍ전술 입안과 활용
한국사연구
2015 .06
-
A Twentieth Century Gold Fish
Korea Journal
1993 .09
-
On the Poetry of Silla Kingdom
Korea Journal
1969 .08
-
재당 신라인사회의 형성과 발전
한국사연구
2008 .03
-
高句麗 淸巖里土城 주변 출토 金銅冠의 系譜와 用途
동북아역사논총
2011 .12
이 논문의 저자 정보
이 논문과 함께 이용한 논문
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2009-911-014535349