지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
The gilt bronze crowns excavated near the Chenongam-ri (淸巖里) earthen fortresses of Koguryo consist of a crown ornament, diadem, and pendant, which are similar to the Bodhisattva statue. In particular, the length and form of the pendant resembles that of the wooden statue of the Buddha at Horyuji (法隆寺) temple in Japan. The crown ornaments that decorated the Buddha one crown on the whole, but the Chenongam-ri find consisted of separated crown ornaments each of which can be observed from the crowns made during the Three Kingdoms period, including the gilt bronze crown of Koguryo.
The production technique of the gilt bronze crowns excavated near the Chenongam-ri earthen fortresses of Koguryo show two different methods: one is the technique of detaching the crown ornament and diadem from one metal board, and the other is the technique of making the pendant with an extra metal board. These production techniques are similar to the Kudara Kannon (百濟觀音像) of Baekje and the Kuse Kannon (救世觀音像) in Horyuji. The flower bud decoration which is arranged on the top of the gilt bronze crown found near the Cheongamri earthen fortresses was made by cutting the edges and twisting them. This technique is regarded as the method from Koguryo, and it is the general way to make wing-like decorations such as a diadem during the Three Kingdoms period.
The patterns of the gilt bronze crowns excavated near the Chenongam-ri earthen fortresses are the same as the Bodhisattva statue in Horyuji, especially in the application of the lotus design as a nail. The trilobate patterns, which are observed in the gilt bronze crown of Cheongam-ri, are similar to the gilt bronze diadem of Koguryo, and those are also like the ones from metal containers during the Three Kingdoms period. The most important patterns in the gilt bronze crown of Cheomgam-ri are the flame forms that consist of transformational honeysuckle arabesque patterns, which were adopted in the sixth century, especially for ancient tomb murals in the Four-Gods tomb, the five-helmet shape tomb of Koguryo, the golden diadem in the royal tomb of Baekje, and the crown of the Kudara Kannon at Horyuji.
I infer that two of the gilt bronze crowns excavated near the Chenongam-ri earthen fortresses were crowns for the two wooden Bodhisattvas. The clues that led me to that conclusion are as follows. First, the mumber of the gilt bronze crowns excavated near the Chenongam-ri earthen fortresses wear is two. They were semicircle in style and were worn on the head. Furthermore, the pendants of the crowns were made of gilt bronze, and they were excavated with various buddhist crafts. Lastly, the fact that using flower-type nails to make the crown fixed to certain objects is similar to the wooden Kudara Kannon of Baekje at Horyuji.
In general, The crowns of the Bodhisattva statue were accepted and developed through influences from India and western Asia, but I confirmed that the gilt bronze crowns excavated near the Chenongamri earthen fortresses expressed the components of the Koguryo crown decorations of the aristocratic class. These features can be found in the Chan crown (蟬冠) of the Bodhisattva statue during the period of the northern and southern dynasties in China, and they are convincing clues to confirm the temporal characteristics of the Bodhisattva statue.
The production technique of the gilt bronze crowns excavated near the Chenongam-ri earthen fortresses of Koguryo show two different methods: one is the technique of detaching the crown ornament and diadem from one metal board, and the other is the technique of making the pendant with an extra metal board. These production techniques are similar to the Kudara Kannon (百濟觀音像) of Baekje and the Kuse Kannon (救世觀音像) in Horyuji. The flower bud decoration which is arranged on the top of the gilt bronze crown found near the Cheongamri earthen fortresses was made by cutting the edges and twisting them. This technique is regarded as the method from Koguryo, and it is the general way to make wing-like decorations such as a diadem during the Three Kingdoms period.
The patterns of the gilt bronze crowns excavated near the Chenongam-ri earthen fortresses are the same as the Bodhisattva statue in Horyuji, especially in the application of the lotus design as a nail. The trilobate patterns, which are observed in the gilt bronze crown of Cheongam-ri, are similar to the gilt bronze diadem of Koguryo, and those are also like the ones from metal containers during the Three Kingdoms period. The most important patterns in the gilt bronze crown of Cheomgam-ri are the flame forms that consist of transformational honeysuckle arabesque patterns, which were adopted in the sixth century, especially for ancient tomb murals in the Four-Gods tomb, the five-helmet shape tomb of Koguryo, the golden diadem in the royal tomb of Baekje, and the crown of the Kudara Kannon at Horyuji.
I infer that two of the gilt bronze crowns excavated near the Chenongam-ri earthen fortresses were crowns for the two wooden Bodhisattvas. The clues that led me to that conclusion are as follows. First, the mumber of the gilt bronze crowns excavated near the Chenongam-ri earthen fortresses wear is two. They were semicircle in style and were worn on the head. Furthermore, the pendants of the crowns were made of gilt bronze, and they were excavated with various buddhist crafts. Lastly, the fact that using flower-type nails to make the crown fixed to certain objects is similar to the wooden Kudara Kannon of Baekje at Horyuji.
In general, The crowns of the Bodhisattva statue were accepted and developed through influences from India and western Asia, but I confirmed that the gilt bronze crowns excavated near the Chenongamri earthen fortresses expressed the components of the Koguryo crown decorations of the aristocratic class. These features can be found in the Chan crown (蟬冠) of the Bodhisattva statue during the period of the northern and southern dynasties in China, and they are convincing clues to confirm the temporal characteristics of the Bodhisattva statue.
목차
Ⅰ. 머리말
Ⅱ. 考古資料로 본 系譜와 年代
Ⅲ. 菩薩像 寶冠과의 비교
Ⅳ. 金銅冠의 用途 推定
Ⅴ. 맺음말
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UCI(KEPA) : I410-ECN-0101-2014-910-002363235