지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
T.P.G. Strategy is initialed Topos, topo-Philla, and topo- Graphy. It functions as meta-cognition of writing narratives.
Topos is what is tempered peculiar value or significant mean with space. Topos is more concrete and definite than space. Space is meaningless to human, on the other hand topos has very valuable significance.
Topophilia is love and affection toward topos. The love is not only unconditional attachment but also all of the course that a person endows topos with a love and a concern.
Topography is a sort of a map that a person acts and brings out various accidents. A person falls in topophilia with a special topos, so the person acts and reacts to the topos and circumstance, and that the all of course becomes a topography.
T.P.G. Strategy makes a writer call the bygone self, so the past and the present can cross each other. The narrative consists of polyphonies of a present self and a past self. The memory and topophila enable a writer to describe vividly and concretely. And that the narrative has a propensity for lyricism.
To prove the virtue of T.P.G. Strategy and establish elaborate it, the real writing lesson in K university from May till June 2004.
The conclusion of real writing instruction, the narratives have noteworthy features. The peculiarities are as follows.
First, the self was the other. The narrative subject or the past undergone self did not defend oneself. Instead he or she had the alterity. The texts by students were not narratives of subject but of transformative alters.
Second, the cross of past and present brought out a collision of scenes in fragments, that was a montage like a cross cutting in films. The texts didn't have a casuality.
So, the narratives held abundant lyricism, and extremely the time of a narrative came to a full stop occasionally.
Paradoxically in drying time, the characters were very exceptional and cruel. Because of cruelty of characters, the text came to take on sublimity.
So to speak excessively, the protagonist of the narrative through T.P.G. strategy is a topos. Topos is all except me. The writing to let me be the other is T.P.G. writing. So the writer can reflect on oneself and circumstances.
Topos is what is tempered peculiar value or significant mean with space. Topos is more concrete and definite than space. Space is meaningless to human, on the other hand topos has very valuable significance.
Topophilia is love and affection toward topos. The love is not only unconditional attachment but also all of the course that a person endows topos with a love and a concern.
Topography is a sort of a map that a person acts and brings out various accidents. A person falls in topophilia with a special topos, so the person acts and reacts to the topos and circumstance, and that the all of course becomes a topography.
T.P.G. Strategy makes a writer call the bygone self, so the past and the present can cross each other. The narrative consists of polyphonies of a present self and a past self. The memory and topophila enable a writer to describe vividly and concretely. And that the narrative has a propensity for lyricism.
To prove the virtue of T.P.G. Strategy and establish elaborate it, the real writing lesson in K university from May till June 2004.
The conclusion of real writing instruction, the narratives have noteworthy features. The peculiarities are as follows.
First, the self was the other. The narrative subject or the past undergone self did not defend oneself. Instead he or she had the alterity. The texts by students were not narratives of subject but of transformative alters.
Second, the cross of past and present brought out a collision of scenes in fragments, that was a montage like a cross cutting in films. The texts didn't have a casuality.
So, the narratives held abundant lyricism, and extremely the time of a narrative came to a full stop occasionally.
Paradoxically in drying time, the characters were very exceptional and cruel. Because of cruelty of characters, the text came to take on sublimity.
So to speak excessively, the protagonist of the narrative through T.P.G. strategy is a topos. Topos is all except me. The writing to let me be the other is T.P.G. writing. So the writer can reflect on oneself and circumstances.
목차
1. 글쓰기에 있어 ‘장소, 장소애, 지형도’가 갖는 함의
2. T.P.G. 전략 글쓰기의 방법과 특징
3. 실제 글의 분석과 평가
4. 결 론
참고문헌
저자소개
Abstract
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