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논문 기본 정보

자료유형
학술저널
저자정보
저널정보
국어국문학회 국어국문학 국어국문학 제150호
발행연도
2008.12
수록면
5 - 27 (23page)

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초록· 키워드

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Persuasion is generally prescribed by the speech act that stands on assertions. If so, we have to present the ground that based the assertion in order to assert self-opinion. That is why the personal assertion and opinion is biased so that it is not the fact that aroused sympathy from everyone.
In this manner. the ground that gives the propriety to persuasion which stands on subjective views is the argument. The argument is the method that gives confidence to person's subjective assertions and opinions. Therefore, the argument is an effective thought and speech in the persuasion.
Figuratively speaking, making a persuasive text is to seek for the argument, to arrange it and to put linguistic clothes on the argument arranged. Like this, the persuasion as the speech act starts from the argument and ends in it. Therefore, first of all, to observe how the persuasion is embodied in, it is effective to focus in what kind of the argument was used in the persuasion.
The argument, however, is not clearly exposed in the persuasive act. Even though it comes out, most of them are indirect. For that reason, it is important to seek for the proper argument for the effective persuasion. If the place where the argument is in, however, is c1early seen, seeking it would be easier. In this point, the ancient rhetoricians called the place where the argument was hided topos. and c1assified the sorts.
In spite of various efforts of the ancient rhetoricians, topos still has obscure aspects. That is why not only whatever can take out the argument can be topos, but also all of general premises can be topos. Such ambiguousness gives rise from the point that topos was leaded from common ideas or social customs.
This study premises that a clue to form topos bases on the conceptual metaphor. This is that topos made from social customs and common ideas bases fundamentally on the conceptual metaphor, is raised by it, and grows up through it. And then it forms its own strong generality and propriety.
To research it, in second chapter, we survey theories of the conceptual metaphor. It is a definition of characteristics of the conceptual metaphor. We try to reveal that the conceptual metaphor is not a figure in regard to linguistic expressions but a mechanism operating in the conceptual dimension. In third chapter, we observe a definition and conceptual characteristics of topos. We debate on the correlation between topos and the conceptual metaphor. In fourth chapter, we observe the conceptual metaphor and topos in Pyomun of Koryo History and prove how topos is formed by what kind of the conceptual metaphor is based on.

목차

Ⅰ. 문제 제기
Ⅱ. 설득과 토포스
Ⅲ. 토포스와 개념적 은유
Ⅳ. 표문에 나타난 토포스와 개념적 은유
Ⅴ. 맺음말
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