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논문 기본 정보

자료유형
학술저널
저자정보
정혜욱 (홍익대학교 조형대학 디자인컨버전스학부)
저널정보
한국기초조형학회 기초조형학연구 기초조형학연구 제23권 제1호
발행연도
2022.2
수록면
613 - 624 (12page)

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Whereas the word, ’Johyung(조형)’ which dictionary meaning is ‘to make a shape’, has been mainly used in the realms of art, design, aesthetics, and criticism, its meanings and concepts are used differently in each field. ‘Can the traditional concept of ’Johyung(조형)’ that implies visible and physical properties be still used in the society of media technology?‘, ’What is the phenomenological meaning of Johyung in the design area centered on media technology where all materials, processes, and contents are composed of digital language?’ This article starts with those questions and aims to present reconceptualization of Johyung that reflects the spirit of the times in the field of media communication design. For the research method, this study took the prospect of employing Mediatization and Media Ecology theories as a critical framework to examine the inter-relationship between media, society, human beings, and the environment from a relational perspective. Based on the classification of the era according to the development of media technology, this study adopts the consideration from the viewpoint of technology, design, and society. The mediated environment by digital technology not only opened a new paradigm called HCI, human computer interaction but also developed mobile social media society that drove new way of participation and social chain based on mobile media affordance. Ahead of the spread of the metaverse society in which reality-based virtual reality coexists, the contents in design are facing another paradigm that requires a new way of perception and thinking that focus on non-material experiences and wholly new relationships. Based on these changes, this study intends to suggest an expanded meaning of Johyung as a wholesome activities for building humanistic values that leads to the coexistence of media, humans, and the global environment.

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