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논문 기본 정보

자료유형
학술저널
저자정보
박서영 (한국예술종합학교)
저널정보
대한무용학회 대한무용학회논문집 대한무용학회 논문집 제80권 제1호
발행연도
2022.2
수록면
133 - 157 (25page)
DOI
10.21317/ksd.80.1.8

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초록· 키워드

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This study focuses on the online dance performance resulted from the unprecedented shutdowns of spaces which had been a prerequisite for dance. Accordingly, the purpose of this study is to reveal how the audience is reconstructing the liveness of the dance in a situation where they cannot experience the dancers’ movements and the atmosphere of the scene firsthand. In this study, the sense of presence and audience are discussed as issues of non-face-to-face dance performance expressed through different types of media such as video and online. Here, liveness is analyzed focusing on changes in these characteristics. In this research, the concept of ‘real-time’, which stayed in place until the end of the experience of liveness, is changing from sharing the time when performance ‘is taking place’ to sharing the time to ‘watch’ the performance video, and the scope of communication ‘between’ the performer and the audience broadens as the communication occurs ‘among’ the audience. In case of the existing concept of ‘live streaming’ performance which means sharing content at the exact time of performance, the focus of the liveness was rather on the production of the video that could best utilize the site. In the end, the existential sense of liveness that the audience share the exact moment together on site is expanded and reconstructed through the digital media centering around the ‘emotional experience’ of the audience that they are sharing the present moment ‘or’ same site.

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