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논문 기본 정보

자료유형
학술대회자료
저자정보
김상규 (부경대학교)
저널정보
동북아시아문화학회 동북아시아문화학회 국제학술대회 발표자료집 동북아시아문화학회 2022년 추계연합국제학술대회
발행연도
2022.11
수록면
249 - 252 (4page)

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In the Kojiki and Nihonshoki, Susanowo drawn as a problem child who stirred up all misfortune since it was born is also called the trickster in a Japanese myth. Now, in the tale about "Sominshorai" of "the topography of Bingo province", Susanowo appears as God of a calamity with the same divinity as the Kojiki and Nihonshoki. This is connected also with the negative field of "NenoKuni" where all sins flow in as drawn on the congratulatory address. And it seems that the tradition was subject to the influence of the Korean Peninsula since it was going across Susanowo from Silla. Therefore, the relation of the visitor"s culture should serve as a backdrop that Susanowo and "MutanoKami" were connected. In the topography, although told as an anecdote in connection with the spirit of smallpox, it seems that I pulled out Susanowo drawn as a negative existence in order to tell the origin of a "Enokuma-shrine". As mentioned above, the tale of topography is what faith of "MutanoKami" presumed to be "Mudan" which came across the sea, and the spirit of smallpox was combined, and was realized, and also became an enshrined deity of the Gion shrine after that. although I attach and am alike and "MutanoKami" is explained to be "GozuTenno" which is the divinity similar to Susanowo, it seems that this twined with what is called harmonization of Shinto and Buddhism thought, and was developed.

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