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논문 기본 정보

자료유형
학술저널
저자정보
이윤주 (전북대학교)
저널정보
일본어문학회 일본어문학 일본어문학 제83호
발행연도
2018.1
수록면
611 - 630 (20page)

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초록· 키워드

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This study aims to examine the aspects of transformations of the family norms through the scenes of the family represented in contemporary Japanese films. Hirokazu Koreeda is a director who best portrayed the reality about the fragments of the modern family. His career as a film director and a TV documentary director gives a persuasive power to this fact. Most of the films directed by Koreeda since his debut draw families in modern Japan from various angles, taking the family as a subject matter. The reason why the public sympathizes with Hirokazu Koreeda’s films is that they do not directly define the family. He shows the scenes of the family in various forms from diverse perspectives, instead of defining the family repressively in the films. The family realized through films by Hirokazu Koreeda is a type of family formed through sharing of time and space, regardless of whether there are blood relations or not. Breaking from the blood-tied familism still defined as an ideal scene of the family, he reframes the family, inquiring into various issues encountered by the modern family. It is judged that this is an attempt to establish a new perspective for defining the family, not fragmentary information.

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