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자료유형
학술저널
저자정보
Qian Wang (Hangqhou Normal University)
저널정보
한국영어영문학회 영어영문학 영어영문학 제66권 제2호
발행연도
2020.1
수록면
415 - 420 (6page)

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Departing from recent critical studies of modernist urban writing, which tend to read representations of quotidian urban life from a socio-psychological perspective, Rong Ou et al.’s work reads modernist urban poetry from a fresh perspective in an ambitious intermedia, transcultural approach. Invoking Henry Lefebvre’s influential critique of quotidian life, this work argues that while urban everyday life is mundane, repetitive, it is also full of creative potential. Through aesthetic critique and transformation of quotidian urban life, Anglo-American modernist urban poetry provides a means to transcend the phantasmagoric unreality of capitalist modernity. The book traces the theoretical and aesthetic origin of a modernist urban poetics, which results from the confluence of Baudelairean urban poetics, English cultural and aesthetic critique of industrial civilization, and traditional Chinese philosophy, aesthetics and poetics. Using Baudelaire’s Les Fleurs Du Mal as a starting point, it teases out three important constituents of Anglo-American modernist urban writing: the figure of the flâneur, the German aesthetic concept Andersstreben, and the practice of ekphrasis. The remaining chapters focus respectively on these three aspects with case studies of an impressive range of canonical modernist urban poetry by poets including T. S. Eliot, Ezra Pound, William Carlos William, John Betjemen, Langston Hughes, William Butler Yeats, Richard Aldington, Wallace Stevens, and Bernard Spencer. This work thoroughly historicizes its objects of analysis and offers new interpretations of canonical modernist poems. Its intermedia, transcultural approach and nuanced close reading is particularly commendable. Its provocative findings complicate and refresh our understanding of modernist urban poetry.

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