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논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2016.12
- 수록면
- 61 - 72 (12page)
- DOI
- http://dx.doi.org/10.14354/yjk.2016.51.61
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Of all the seeds breeding Canadian poetry to the literary garden, Yeats’s direct and indirect influences on representative post-WWI poets and literary movements in Canada cannot be dismissed. This essay attempts to trace Yeats’s North American lecture tours (1903-4), still quite unremarked in Yeats Studies, and to examine how these lectures in some Canadian cities inspired the writers still striving to find a national, poetic voice. As in the works of G.D. Roberts and Bliss Carman, countless allusions and deliberate references to Yeats and his work pervade the Confederation verses. The literary cradle in Lower Canada, McGill University in Montreal, produced influential Canadian modernist poets, the McGill Group with Smith as a representative, with programmatic introductions of modernism into Canadian poetry in small magazines and literary journals such as McGill Fortnightly Review, edited by A.J.M. Smith and F. R. Scott. Smith particularly infuses the previous Confederation style with Irish modernist techniques into the poetic innovation. Smith’s own work is highly reminiscent of Yeats for the Yeatsian principle of versification and fervent speeches. This essay thus aims to pick up these threads and weave onto the literary fabric the Canadian modernist verse influenced by Yeats’s work and the Irish literary renaissance.
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