지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 저널정보
- 미술사연구회 미술사연구 미술사연구 제40호
- 발행연도
- 2021.6
- 수록면
- 191 - 213 (23page)
- DOI
- 10.52799/JAH.2021.06.40.191
이용수
초록· 키워드
오류제보하기
Giyeonghoe (耆英會) and girohoe (耆老會), both loosely translated in English as a gathering of elders, refer to state events held under the Joseon Dynasty policy of making special provisions for officials aged over seventy. Prior to the Japanese Invasions of Korea (1592–1598), giyeonghoe were private gatherings where current and former high-ranking officials around the age of seventy enjoyed drinking and dancing or discussed state affairs. Girohoe were administered by the Giroso (耆老所, Hall of Senior Officials) and were attended by former civil officials over the age of seventy. However, giyeonghoe were abolished after the Japanese Invasions of Korea. Currently-serving civil officials holding the second or higher senior rank over seventy attended girohoe from after the Japanese Invasions of Korea through the Korean Empire period.
There are currently five surviving examples the commemorative painting of giyeonghoe during the reign of King Seonjo that depict the giyeonghoe held in the early autumn of 1585. They include the gelatin dry-plate photograph version at the National Museum of Korea, a hanging scroll that entered the collection of the National Museum of Korea in September 1945, a hanging scroll donated to the National Museum of Korea by Yi Hong-geun (sobriquet: Dongwon) in 1980, the version from the painting album of giyeonghoe during the reign of King Seonjo at the Seoul National University Museum, and a hanging scroll at the Bongsan Seowon Confucian Academy. Although all of these works illustrate the giyeonghoe held in 1585, their production dates differ since they are copies made by later generations after the original painting was damaged. A comparative analysis of these works has revealed that the painting in the gelatin dryplate photograph is identical to the hanging scroll that entered the collection of the National Museum of Korea in September 1945. Therefore, the latter is believed to be the earliest copy among the surviving examples modeled after the original painting. The other three examples are presumed to have been produced in the order of the Seoul National University Museum version, the Dongwon version, and the Bongsan Seowon version.
There are currently five surviving examples the commemorative painting of giyeonghoe during the reign of King Seonjo that depict the giyeonghoe held in the early autumn of 1585. They include the gelatin dry-plate photograph version at the National Museum of Korea, a hanging scroll that entered the collection of the National Museum of Korea in September 1945, a hanging scroll donated to the National Museum of Korea by Yi Hong-geun (sobriquet: Dongwon) in 1980, the version from the painting album of giyeonghoe during the reign of King Seonjo at the Seoul National University Museum, and a hanging scroll at the Bongsan Seowon Confucian Academy. Although all of these works illustrate the giyeonghoe held in 1585, their production dates differ since they are copies made by later generations after the original painting was damaged. A comparative analysis of these works has revealed that the painting in the gelatin dryplate photograph is identical to the hanging scroll that entered the collection of the National Museum of Korea in September 1945. Therefore, the latter is believed to be the earliest copy among the surviving examples modeled after the original painting. The other three examples are presumed to have been produced in the order of the Seoul National University Museum version, the Dongwon version, and the Bongsan Seowon version.
#기영회도(耆英會圖, the Commemorative Painting of Giyeonghoe)
#기로회도(耆老會圖, the Commemorative Painting of Girohoe)
#한명회(韓明澮, Han Myeonghoe)
#유리건판(琉璃乾板, Gelatin Dry-plate)
#선조조기영회도(宣祖朝耆英會圖, the Commemorative Painting of Giyeonghoe during the Reign of King Seonjo)
#계회도(契會圖, Painting of Gathering of Scholar-officials)
목차
Ⅰ. 머리말
Ⅱ. 조선시대의 기영회와 기로회
Ⅲ. 〈선조조기영회도〉의 원본과 임모본
Ⅳ. 맺음말
참고문헌
Abstract
참고문헌 (0)
참고문헌 신청함께 읽어보면 좋을 논문
논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!
-
죽화(竹畵)의 유형과 분류체제의 정립을 위한 시론
미술사논단
2018 .12
-
고려 초기 회화의 조명
미술사논단
2019 .06
-
고려 중기의 북송과의 회화 교류
미술사논단
2019 .12
-
고려 말기 인물화의 제 양상 (1)
미술사논단
2020 .12
-
화문과 화제의 분류체제
미술사논단
2018 .06
-
무량사 극락전 아미타불회도의 화승과 제작기법 연구
미술문화연구
2017 .12
-
근대 유럽에서 풍경화의 발흥과 진화
미술사논단
2022 .12
-
일제강점기 이상범의 신문 휘호 작품 연구
한국근현대미술사학
2022 .12
-
조선 후기 남종화풍 문인산수화의 모방과 창작 : 화보의 분류 체계와 그 수용
미술사논단
2016 .06
-
한국 개화기의 ‘풍경화’ 유입
미술사논단
2021 .06
-
이용우(李用雨, 1902-1952)의 ‘묵로’시대 회화 연구 : 인물화와 화조화를 중심으로
한국근현대미술사학
2018 .12
-
아시아의 ‘또 다른’ 회화(繪畫)에 대하여
미술사논단
2023 .06
-
근대미술의 선구자 고희동의 회화세계 연구 서양화 - 요소를 절충한 한국화를 중심으로
기초조형학연구
2017 .02
-
Chinese Ancient Painting of Architecture and Its Traditional Environmental Aesthetic Conception
한국기초조형학회 학술발표논문집
2019 .11
-
1990년대 한국화 읽기를 위한 제언 : 박생광 이후 채색화의 부흥과 영향
미술사논단
2018 .06
-
조선 후기 한궁도 연구
미술사학연구(구 고고미술)
2018 .09
-
模寫를 통한 家傳과 傳承, 조선시대 〈南池耆老會圖〉 - 국립제주박물관 소장본을 중심으로 -
미술자료
2019 .06
-
현대 한국 서양화 사조 연구 : 국전 화풍을 중심으로
한국근현대미술사학
2015 .12
-
1879년 순종의 천연두 완치 기념 계병(稧屛)의 제작과 수장
미술사와 시각문화
2017 .01
-
19세기 한·중 개항장 풍속화의 기능과 특징
한국근현대미술사학
2015 .07
이 논문의 저자 정보
이 논문과 함께 이용한 논문
최근 본 자료
댓글(0)
0