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A Study on the Relationship of International Exchanges in North Korean Films (1945-1972): Centered on the Soviet Union and Eastern Europe
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북한영화의 국제 교류 관계 연구(1945-1972): 소련·동유럽을 중심으로

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Type
Academic journal
Author
Jeong, Tae Soo (한양대학교)
Journal
Korean Cinema Association(KCA) Film Studies Vol.86 KCI Accredited Journals
Published
2020.12
Pages
77 - 113 (37page)
DOI
10.17947/FS.2020.12.86.77

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A Study on the Relationship of International Exchanges in North Korean Films (1945-1972): Centered on the Soviet Union and Eastern Europe
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Since liberation in 1945, the process of changing the mode of foreign exchange of North Korean films has been linked to the power-building process of Kim Il-sung until 1972, when the Juche ideology was defined as the governing ideology. Its first course is the period from liberation to the establishment of the North Korean regime in 1948 and before 1956, when Soviet films were distributed and screened throughout the country, actively embracing various cultural phenomena of the Soviet Union.
Another process of change is when the concept of the Juche emerged by Kim Il-sung in December 1955 on the basis of its independence and identity of North Korea itself. What showed this was North Korea’s declaration of a diversified foreign policy in 1956. Film exchanges followed these political goals and changes in North Korea. As a result, one-sided exchange relations with the Soviet Union began to be adjusted in the form of mutual exchanges. This approach has also been applied to Eastern European countries.
North Korea’s film exchanges marked the third change in April 1965 when the two sides explained and formalized the Juche idea in Bandung, Indonesia, under the concept of self-reliance in thought, self-reliance in politic, self-reliance in economy and self-defense in national defense. In other words, the formalization of the concept of self-reliance from the concept of self-reliance to the idea of self-reliance marks a new shift to another dimension. Symbolizing this change is the fact that North Korean films have been actively screened to countries that have established diplomatic relations and active participation in international film festivals. This means that the nature of film exchanges in North Korea has shifted to an active offensive relationship by its independent and independent orientation.
As such, North Korea’s film exchanges during this period gradually moved from unilateral acceptance by the Soviet Union to third-world countries with ideological homogeneity in China, Eastern Europe and Asia and Africa, spreading their ideas. This means that the film served as a potential force for political change in North Korea, and that had an important impact on the content and formative formation of North Korean films during this period.
#해방 #소련영화 #주체사상 #다변화 외교 #영화교류 #동유럽 #liberation #Soviet cinema #juche idea #diversified diplomacy #film exchange #Eastern Europe

Contents

국문요약
1. 소련영화 배우기(1945-1955)
2. 동유럽으로의 확대(1956-1964)
3. 주체사상의 공식화와 제3세계권으로의 확장(1965-1972)
4. 맺음말
참고문헌
Abstract

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