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Rhythm and the “Postal Unconscious” in Suburban Sketches: W. D. Howells's Realism and the Atlantic Monthly at the Turn of the 1870s
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『교외 소묘』의 리듬과 우편적 무의식: W. D. 하월즈의 사실주의와 1870년대 전환기의 『아틀랜틱 먼쓸리』

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Type
Academic journal
Author
Journal
순천향대학교 인문학연구소 순천향 인문과학논총 순천향 인문과학논총 제38권 제3호 KCI Accredited Journals
Published
2019.1
Pages
5 - 40 (36page)

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Rhythm and the “Postal Unconscious” in Suburban Sketches: W. D. Howells's Realism and the Atlantic Monthly at the Turn of the 1870s
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This paper aims to clarify the involvement of what can be considered “rhythm” in the establishment of American realism by focusing on a hitherto neglected work by W. D. Howells, Suburban Sketches. I argue that this rhythm is both an aspect of represented life and a structuring element of the representational form. In the case of Suburban Sketches, it was primarily formed in relation to its periodical publishing medium, the Atlantic Monthly. By showing the layers of the interactions between that magazine and the text of Suburban Sketches, this study reveals that Howells’s realism was an attempt to produce an interstice for different speeds of life and communicative modes from the dominant ones which it partly affirms, too. I argue this was carried out in challenge of the changing media condition that saw the consolidation of the Penny Post and telegraph service at the turn of the 1870s.

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