메뉴 건너뛰기
.. 내서재 .. 알림
소속 기관/학교 인증
인증하면 논문, 학술자료 등을  무료로 열람할 수 있어요.
한국대학교, 누리자동차, 시립도서관 등 나의 기관을 확인해보세요
(국내 대학 90% 이상 구독 중)
로그인 회원가입 고객센터 ENG
주제분류

추천
검색

논문 기본 정보

자료유형
학술저널
저자정보
저널정보
한국근대영미소설학회 근대영미소설 근대영미소설 제15권 제1호
발행연도
2008.1
수록면
195 - 214 (20page)

이용수

표지
📌
연구주제
📖
연구배경
🔬
연구방법
🏆
연구결과
AI에게 요청하기
추천
검색

초록· 키워드

오류제보하기
By the time of his death, Edgar Allan Poe had worked as poet, fiction writer, essayist, editor, reviewer, and proofreader. Although he had labored in various part-time and full-time positions in the antebellum publishing industry, no position was permanent or secure. Poe had to support himself entirely by his writing, and struggled constantly against poverty. His professional career was dominated by editorial drudgery, financial hardship, and lack of literary appreciation. Like other nineteenth-century romantic writers, Poe also had to deal with the problem of writing for the growing mass audience. Poe was caught between the romantic conception of the gentleman author and the dependence for a livelihood on the reading public whose preferences governed the literary market. In this paper, I will challenge the long-standing image of Poe as a romantic aesthete separated from commercial and professional pressures of the antebellum publishing culture, by exploring the intricate connection between his literary texts and publishing environment which was marked by economic conflicts and the rise of a mass audience. In line with the recent critical trend for studying how market forces shape the profession of authorship, I intend to examine Poe's "Hop-Frog," "Some Secrets of the Magazine Prison-House" and "Anastatic Printing," as representative texts that reflect the authorial frustration, predicament, and hatred against the servitude to the literary institutions of the nineteenth century.

목차

등록된 정보가 없습니다.

참고문헌 (25)

참고문헌 신청

함께 읽어보면 좋을 논문

논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!

이 논문의 저자 정보

최근 본 자료

전체보기

댓글(0)

0