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The Giho school's female literature and its meaning in term of the cultural history – Focusing on the Kim Seong Dal and Kim Chang Hyeop Family
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기호학파 여성문학의 전개와 문학사적 의의 - 김성달 ‧ 김창협 가문을 중심으로

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Type
Academic journal
Author
Journal
어문연구학회 어문연구 어문연구 제84권 KCI Accredited Journals
Published
2015.1
Pages
125 - 154 (30page)

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The Giho school's female literature and its meaning in term of the cultural history – Focusing on the Kim Seong Dal and Kim Chang Hyeop Family
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This study is focusing on Kim Seong Dal and Kim Chang Hyeop family that had produced the most female writers of the Giho school. The Kim Seong Dal and Kim Chang Hyeop family had formed a big stream in the female literature history of the Joseon Dynasty. In addition, this study summarized the meaning of this in the literary history of the Korea classical women literature as follows: First, these two families achieved an unprecedented ‘literary history of the whole family.’ In case of the Kim Seong Dal family, Kim Seong Dal, his wife, his second wife and his thirteen children were all writers. In the Kim Chang Hyeop family, Grandchild Seo Young Soo Hap, his wife, his five children were all famous writers in those days. They had a special family culture in which they freely communicated about literature between the first wife and the second wife and among brothers or sister of the half blood. It was a strange cultural phenomenon that could seldom be found in other families. Second, both families were active in teaching women beyond the gender boundary. As a result, the family tradition of producing female writers had been formed and descended. From the first wife and her children to the second wife and her children made poems and produced collections of literary works. Third, various genres of literary works were created and distributed. A variety way of female literature including Chinese poems, proses, and collections of translated Chinese poems, novel transcriptions, diaries and letters had been handed down. Fourth, this literary culture was formed by marriage and it motivated the philosophical thoughts and literary creativity of other families’ women. The Giho school female writers were connected each other by marriage like a web.

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