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자료유형
학술저널
저자정보
저널정보
어문연구학회 어문연구 어문연구 제56권
발행연도
2008.1
수록면
117 - 139 (23page)

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This article analyzes three forms of writings dedicated to the dead women, such as records of deceased persons's lives(行狀), funeral orations(祭文), and epitaphs(墓誌銘), written by male authors in the seventeenth century. This article also tries to illuminate both how men expressed their emotions toward women and how women's lives of that time, which are rarely known to us, were revealed in those writings. Those three kinds of writings, written in prose forms with due formality and reminiscent of dead women, more specifically, dead mothers, wives, daughters-in-law, and daughters, not only express their sufferings of loss, loves, and regrets, but also functions as means of revelation of how women's real lives were during that time. Those lives revived through male authors' memory in their own ways show there existed two kinds of lives for the seventeenth-century women. First, there were lives of subordination to men. Second, there were lives of their own. In the lives of subordination, women were to live the lives of so-called “good women”, or “good housekeepers” as mothers, wives, daughters-in-law, or daughters according as the male-dominated society forced them too. On the other hand, ironic enough, under these living conditions in the second lives, women lived or, at least, tried to live "full" as active, "living" entities. For this study, the following works were selected and analyzed. First, for records of deceased persons's lives, man-jung Kim's Yoonsihaengjang and sae-back Lee's Kimsihangjang, and for funeral orations, some works by si-yeul Song and su-hang Kim were selected and analyzed. The reasons why man-jung kim's work was selected for records of person's is man-jung kim's work is included in school's textbooks and so widely known to and is still being read by readers. sae-back lee's work was selected in order to understand emotional attitudes commonly shared by the contemporaries of the author. For funeral orations, much consideration was taken into si-yuel song's work, because of the fact that he was the typical orthodox Confucian scholar in the seventeenth century and he coauthored with his wife, daughter, and daughter-in-law.

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