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자료유형
학술저널
저자정보
저널정보
부산외국어대학교 지중해지역원 지중해지역연구 지중해지역연구 제11권 제1호
발행연도
2009.1
수록면
61 - 103 (43page)

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The purpose of this paper is to define and clarify the interrelation of the important concepts that constitute the principles of poetic creation presented in Aristotle's Poetics. Above all, poetic art (poiêtikê) is defined as a representation (mimêsis), which, according to the context of Poetics, can be further defined as a process to extract a proper image from an object and transfer it into artistic space. In poetic creation, proper elements are selected from accidents (pragmata) and then reorganized according to the principle of probability or necessity so as to make a representation of an action (praxis), which can be defined as the composition (sunthesis) of a story (muthos). Such a principle of creation can be conceptualized as a purification (katharsis) since after having selected essential elements of an accident and abandoned unessential ones, and the poet represents action in a purified form. As a result, there may be differences between the event and its poetic representation, but there remains, at the same time, an essential similitude. Through reasoning (sullogismos), spectators can overcome the obscurity made by differences and recognize the essential and universal elements coexisting between model and representation. This is a poetic pleasure afforded by poetic creation, like an intellectual enigma, that consists in revealing the essence of human life by means of difference and similitude. Finally, such a poetic creation can be defined as a type of metaphor (metaphora) that depends on perceiving the essential similitude in things.

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