지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
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초록· 키워드
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This study is a comprehensive study about the poetic world of Kim Kyu-Dong, the representative poet of Korea.
Kim Kyu-Dong(1925∼ ), born in Jongsung of Hamkyungbukdo, became a poet through Yesuljosun in 1948. Being influenced by his teacher, Kim Ki-Rim, while he was in high school, he started to build his literary career as a poet with a Modernistic writing methodology. After Korea was divided into South Korea and North Korea, he went to South Korea, where he lived a lonely life. Just after the Korean War, he organized a literary circle called Hubangi in Busan which was a refuge capital, and he was opening up a Modernistic literary movement as a member of Hubangi. From this time on, his poems began to have three main poetic tendencies: the tendency of representing Korea's division with a mothif of ‘Death’, the tendency of soothing the pain resulted in the loss of his hometown with ‘butterfly’, a poetic symbol, and the tendency of overcoming the agony in his lives by reminding himself of his mother left behind in the house of hometown.
In the methodological aspect, his poetic outlook shifted from a common and a moderate Modernism to a sociological Modernism. His poetic consistency in his whole poetical works is for the poetic spirit of ‘recovery’. The object of the recovery is just his mother whom he misses and his lost hometown. In addition, the spirit of recovery is extended into the unification of South and North Korea which have always been in confrontation each other under the national division and into the recovery of homogeneity of our people. Moreover, he longs for the development and the stability of democracy, the construction of a true paradisal land, the recovery of self-pride of all Korean hurted and infringed in a turbulent period in our history. In his poetic world filled with a poetic spirit of recovery, hometown is a pop-up place which was supposed to get back or return to. In consequence, his division narrative heaves and sets with a poetic spirit of recove.
Kim Kyu-Dong(1925∼ ), born in Jongsung of Hamkyungbukdo, became a poet through Yesuljosun in 1948. Being influenced by his teacher, Kim Ki-Rim, while he was in high school, he started to build his literary career as a poet with a Modernistic writing methodology. After Korea was divided into South Korea and North Korea, he went to South Korea, where he lived a lonely life. Just after the Korean War, he organized a literary circle called Hubangi in Busan which was a refuge capital, and he was opening up a Modernistic literary movement as a member of Hubangi. From this time on, his poems began to have three main poetic tendencies: the tendency of representing Korea's division with a mothif of ‘Death’, the tendency of soothing the pain resulted in the loss of his hometown with ‘butterfly’, a poetic symbol, and the tendency of overcoming the agony in his lives by reminding himself of his mother left behind in the house of hometown.
In the methodological aspect, his poetic outlook shifted from a common and a moderate Modernism to a sociological Modernism. His poetic consistency in his whole poetical works is for the poetic spirit of ‘recovery’. The object of the recovery is just his mother whom he misses and his lost hometown. In addition, the spirit of recovery is extended into the unification of South and North Korea which have always been in confrontation each other under the national division and into the recovery of homogeneity of our people. Moreover, he longs for the development and the stability of democracy, the construction of a true paradisal land, the recovery of self-pride of all Korean hurted and infringed in a turbulent period in our history. In his poetic world filled with a poetic spirit of recovery, hometown is a pop-up place which was supposed to get back or return to. In consequence, his division narrative heaves and sets with a poetic spirit of recove.
목차
1. 서론
2. ‘검은 색’-분단 상태와 죽음
3. ‘나비’-분단 초극의 의지
4. ‘어머니’-분단 상황의 위안
5. 결론
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UCI(KEPA) : I410-ECN-0101-2012-910-004449101