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논문 기본 정보

자료유형
학술저널
저자정보
저널정보
한국로렌스학회 D. H. 로렌스 연구 D. H. 로렌스 연구 제13권 제1호
발행연도
2005.1
수록면
187 - 205 (19page)

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According to Lawrence, modern man suffers from negative death or the death-in-life of an half-unrealized sensibility and lives a mechanical life without vitality. Lawrence asserts that it is caused by static ego, its will-to-persist that neutralizes both life and death. He thinks that he must play the role to break the static ego open and make it accept the process of change of death and resurrection. It is symbolized by a journey of going down to the underworld, the world of death, and of returning to earth, analogizing the myth of Persephone's seasonal travel and division. Through this process Lawrence purposes to achieve a whole consciousness, balancing both mental-consciousness and blood-consciousness. For this, Lawrence pokes holes in the umbrella of conventional schemata: he simultaneously posits and erases dichotomies―good/evil, light/dark, mind/body, sight/sense, life/death―by demonstrating the inseparability of the two terms, thus rendering both the conventional hierarchies of value and the dichotomies themselves absurd. In Lawrence's system, concepts are treated as living entities; conceptual structures are energy fields, matrices of movement, and the metaphors they comprise are but the ephemeral patterns assumed by living process of “open” consciousness. In other words, Lawrence's alternative metaphors themselves must be open, tensive, and in flux.Lawrence's epistemology of knowing in togetherness is critical to his poetics. For human being, staying alive is matter of cognition; one's conceptual schemata must remain open if one is to be alive to the flux of life.

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