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논문 기본 정보

자료유형
학술저널
저자정보
전선하 (홍익대학교)
저널정보
한국근현대미술사학회 한국근현대미술사학 한국근현대미술사학 제36집
발행연도
2018.12
수록면
61 - 87 (27page)
DOI
10.46834/jkmcah.2018.12.36.61

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초록· 키워드

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This study aims to reveal a characteristic of motherland on the painting and varnishing cralis with lacquer which was consistently made by Vladimir Ahn(Владимир Aн, 1929-); Koryoin is the name which ethnic Koreans in the post-Soviet states, It is special things that Vladimir Ahn who was born in Maritime Province considered the motherland as the Korean Peninsula land of our fathers, and he has been in Uzbekistan, The lack of maternal affection in childhood led him to explore the process of the art world towards his motherland, which is the home country of Vladimir Ahn, The painter who had personally suffered the Deportation of Koreans in the Soviet Union is gentle and affectionate toward the Koryoin who had to endure the hardships and got settled, and Uzbekistan people who received emigrants hospitably, Meanwhile, He got credit for the rebuilding a varnishing crafis with lacquer and miniature; It is ultimately a revival of the minor Koryoin’ art as part of its efforts, Moreover, Connection with motherland(North and South Korea) was intermittently carrying on the native’s subject as his art, This Koryoin painter’s study is significant work to verify the North Korea art’s corner which was unknown and narrow the blind area of Korea fine art’s history.

목차

Ⅰ. 서론
Ⅱ. 안 블라지미르의 예술세계
Ⅲ. 우즈베키스탄 세밀화·옻칠공예의 재건
Ⅳ. 모국(한반도)을 향한 이미지
Ⅴ. 결론
참고문헌
Abstract

참고문헌 (19)

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