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Robert Irwin's Installation Art - A Dialectical Understanding of the Semantics of Plural Boundary Deconstruction -
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로버트 어윈의 설치미술 : 다층적 경계 해체 의미의 변증법적 이해

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Type
Academic journal
Author
Shin-Young Sung (서울대학교)
Journal
KOREA ASSOCIATION FOR HISTORY OF MODERN ART Journal of History of Modern Art Vol.44 KCI Accredited Journals
Published
2018.12
Pages
39 - 67 (29page)

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Robert Irwin's Installation Art - A Dialectical Understanding of the Semantics of Plural Boundary Deconstruction -
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This study aims to understand the meaning of plural ‘boundary deconstruction’ as seen in Robert Irwin’s installation art from a dialectical perspective, which translates this world’s various phenomena into an artistic context. In particular, it focuses on boundaries between artworks and surroundings as well as the audience’s interactions among their circumstances. By doing so, it helps understand the meaning of collapse of conflicts in his artworks where we can rediscover the beauty of the world through our own sensory experience. In his works, object and environment create one united artistic context with their mutual relationship. The deconstruction of the physical boundary confuses the complex sensory experience of the audience by making possible the simultaneous existence of conflicting aesthetic concepts such as inside and outside, order and disorder, as well as contradicting situations such as everyday life and art. Through this, the audience can not only achieve a sensory experience but also understand and become aware of its meaning of existence as subjects of senses that are connected to the world. This leads to a sense of awareness of other people. The audience can then feel the consciousness of kind as a community that shares this world through implicit sensory interactions that Irwin referred to as ‘the dialogue of immanence.’
#로버트 어윈(Robert Irwin) #현상적 예술(phenomenal art) #환경예술(environmental art) #라이트 앤드 스페이스(Light and Space) #장소-조건적/결정적 설치작품(site-conditioned/determined installation) #미니멀리즘(minimalism) #경계 해체(boundary deconstruction)

Contents

Ⅰ. 서론
Ⅱ. 물리적 경계 해체와 양가적 가치 창조를 위한 매개적 설치 작품
Ⅲ. 모순적 상황의 공가능성과 감각적 교란
Ⅳ. 상호주관성:‘ 나’와 타자의 경계 해체
Ⅴ. 결론
참고문헌
국문초록
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