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논문 기본 정보

자료유형
학술저널
저자정보
김성연 (연세대학교)
저널정보
역사비평사 역사비평 역사비평 2018년 봄호(통권 제122호)
발행연도
2018.2
수록면
282 - 316 (37page)
DOI
10.38080/crh.2018.02.122.282

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초록· 키워드

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In the late 1970s, Isadora Duncan’s autobiography became a bestseller in Korea. Although Duncan was an unfamiliar foreigner and an even more unfamiliar modern dancer, she became a symbolic projectile that allowed the Koreans to dream of liberation and breakthrough from the confines of reality, where individuals experienced both physical and mental constraints in an era of economic development and unusual political situation. In Korea, Duncan was depicted as a modern artist, a feminist, and a person from the extensions of existentialism and liberalism, while her pro-Soviet tendencies were not mentioned. The “Barefoot Dancer” acted as a muse for individuals to imagine a “new world”, especially for those who went through imperialism, ethnic nationalism, anti-communism, and nationalism in a consecutive manner for those who were in between. Isadora Duncan, a nomad who crossed borders and changed nationalities in pursuit of art and love, engraved the message of women’s liberation, inner expression, and individual freedom into the mental world of her readers. Against this background, the “Barefoot Dancer” became a symbol of “immortal spirit” with an inherent revolutionary spirit, in the Korean society. Along with this autobiography written by a dancer, the book “Jonathan Livingston Seagull”, which is about a seagull going beyond just living and finding meaning in life, and Jung Hyun Jong’s poems with the motive of dance were popular in the 1970s. This reflects the aspirations of that time where people desired to inject “immortal spirits” into “free bodies”. As such, the autobiographies, novels and poems that were widely read in the 1970s when national reading and liberal art movements were spreading correspond to the specific aspects of reality, while both reflecting and creating the mentality of that time.

목차

1. 모던 댄서의 자서전, 베스트셀러가 되다
2. 여성의 부상과 춤추는 여신의 탄생
3. 춤과 날개라는 자유의 메타포
4. 냉전시대 ‘자유의 몸’이라는 상징
5. 새로운 육체, 익숙한 서사
6. 말의 구속과 몸의 자유, 그리고 어느 댄서의 자서전
7. 비상(非常)의 시대, 비상(飛上)의 시학
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