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논문 기본 정보

자료유형
학술저널
저자정보
김홍기 (동양미래대학교)
저널정보
한국실내디자인학회 한국실내디자인학회 논문집 한국실내디자인학회 논문집 제25권 제1호
발행연도
2016.2
수록면
115 - 123 (9page)

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초록· 키워드

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In the turn of the twentieth century, Vienna emerged as a great cultural centre that stood at the forefront of developments in music, psychology, and the natural sciences. Equally influential, and still tremendously popular today, are the designs of the Wiener Werkstätte a group that was at the heart of the city’s cultural scene and whose collaborators included such luminaries as the architect Josef Hoffman and the designer Koloman Moser under the slogan of Gesamtkunstwerk. The term "Gesamtkunstwerk" was introduced in the romantic period. It describes the desire for and practice of combining various art forms into a whole, such as performances that combine text, visual arts, various design and architecture. Richard Wagner was one of the early theorists of the concept, inspiring many modernist artists. As a co-founder of the Wiener Werkstätte, Josef Hoffmann had a decisive influence on modern Viennese architecture and Interior design on the basis of the concept of Gesamtkunstwerk. In this view point, this study is to analyze about the generative background and design characteristics of gesamtkunstwerk advocated Wiener Werkstätte. Josef Hoffmann was by all accounts a very successful architect and Interior designer in Vienna. His influence would undoubtedly have been felt simply because of his talent and energy. His special ability to range across multiple domains, coupled with a willingness to collaborate with other artists has created a synthesis and synergy that is compelling to this day.

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Abstract
1. 서론
2. 총체예술의 개념과 담론의 생성배경
3. 빈의 디자인 운동과 총체예술의 관계
4. 요제프 호프만의 총체예술적 디자인 성향
5. 결론
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UCI(KEPA) : I410-ECN-0101-2016-619-002649687