지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
At the time of Tonghak Peasant War, the musicians were composed of low-born people, commoner peasants, middle-man, yangban literati in terms of social class, most of whom were low-born musicians coming from shamans’ independent bodies, Sinch’?ng and Chaeinchch’?ng. A great number of low-born musicians got converted to Tonghank meaning Eastern Learning in English. They, entering the world of the religion and serving Ch’?nju, the Lord of Heaven in English, became a humanized subject of the religion.
When Ch?n Pong-jun, Son Hwa-jung, and Kim Kae-nam started the Tonghak Peasant Revolutionary War in 1894, k?llipp’ae or itinerant entertainment troupes seeing their round robin got together in Malmok marketplace of Koch’ang county, performing nongak or farmers" music. P’ungmulp’ae, Korean traditional percussion and wind-instrument band, playing the music of kkwaenggwari(Korean small gong), changgu(double-headed Korean drum with a narrow waist in the middle), drum, and hoj?k or t’aep’y?ngso (Korean conical oboe), stirred up the morale of Tonghak peasant militia.
In March, 1895, the Tonghak Peasant War lasting over one year was ended with the execution of Ch?n Pong-jun and a great number of Tonghak peasants. At that time, low-born musicians coming from Sinch’?ng and Chaeinchch’?ng and peasants sang ‘Saeya Saeya’ and other songs sounding sorrowful and resenting.
The Tonghak Revolution worked as the momentum in which low-born musicians nurtured their subjectivity, realizing the modernity in music. They creatively composed Sanjo(virtuoso solo music with percussion accompaniments) and Ch’angg?k or Korean song-drama(a modified version of p’ansori played by many singers like western-style opera), performing dance, which led exorcism to the art of music, and of dancing.
When Ch?n Pong-jun, Son Hwa-jung, and Kim Kae-nam started the Tonghak Peasant Revolutionary War in 1894, k?llipp’ae or itinerant entertainment troupes seeing their round robin got together in Malmok marketplace of Koch’ang county, performing nongak or farmers" music. P’ungmulp’ae, Korean traditional percussion and wind-instrument band, playing the music of kkwaenggwari(Korean small gong), changgu(double-headed Korean drum with a narrow waist in the middle), drum, and hoj?k or t’aep’y?ngso (Korean conical oboe), stirred up the morale of Tonghak peasant militia.
In March, 1895, the Tonghak Peasant War lasting over one year was ended with the execution of Ch?n Pong-jun and a great number of Tonghak peasants. At that time, low-born musicians coming from Sinch’?ng and Chaeinchch’?ng and peasants sang ‘Saeya Saeya’ and other songs sounding sorrowful and resenting.
The Tonghak Revolution worked as the momentum in which low-born musicians nurtured their subjectivity, realizing the modernity in music. They creatively composed Sanjo(virtuoso solo music with percussion accompaniments) and Ch’angg?k or Korean song-drama(a modified version of p’ansori played by many singers like western-style opera), performing dance, which led exorcism to the art of music, and of dancing.
목차
머리말: 동학으로 입도하는 광대와 재인
Ⅰ. 하날음악인이 되는 신청과 재인청
Ⅱ. 1894년의 동학군과 국가의 음악전개
Ⅲ. 폐정개혁과 광대와 재인들의 처지
Ⅳ. 슬픈 노래, 「새야새야 파랑새야」
맺음말: 1894년 이후 신청 재인청 출신의 변화
ABSTRACT
참고문헌 (18)
참고문헌 신청
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